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Stock Music track: Technology Progress

A steady, mid-tempo, electronic styled backing track with a futuristic or progressive feel, highly suited to technology demonstrations or presentations that need a futuristic flare. A unique and pulsing synth rhythm creates a forward momentum and a light synth melody piques interest. Perfect for both underscore and foreground uses.

Shockwave-Sound.com T13173 14.95 59.95

Track details

Track ID number: 13173
CD-collection containing this track: (None)
Genres: Corporate, Business, News -- Electronic music: Melodic electronica, synthesizer music -- Mid-tempo background Tracks
Moods/Emotions: Strong / Confident / Tough -- Mechanical / Robotic / Machine like
Suggested Production Types: Business / Corporate -- Technology / Hi-tech / Industry
Prominent Instruments: Drum machine / Electronic drums -- Piano (Acoustic) -- Synth Pads -- Synthesizers
Tempo feel: Medium
Tempo Beats Per Minute: 92
Artist: Edward Blakeley
Composer: Edward Blakeley (PRS - CAE#: 629373034)
Publisher: Lynne Publishing (PRS - CAE#: 541626758)
PRO / Non-PRO Track? PRO (What's this?)
WAV file bit depth: HD / 24-Bit and CD-quality / 16-bit (What's this?)
About the Artist
Edward Blakeley Edward Blakeley

Born in 1989 in the small town of Hastings in Sussex UK, Leeds University graduate composer and producer Edward Blakeley’s list of achievements reads like a music veteran’s twice his age.

By the age of 18, having already established a foothold in the local music scene, the self-taught multi-instrumentalist, composer, orchestrator, performer and producer founded Sonic Avenue Studios, renting a small commercial unit in nearby Bexhill-on-sea. Gaining experience as not only a studio engineer but also a manager, financier, and businessman the entrepreneur went on to work with Brit Award winning Blair MacKichan (Will Young, Olly Murs, Lily Allan) in both live and studio capacities, and multi-award winning, BAFTA/IVOR NOVELLO nominated composer Richard Jacques (James Bond: Bloodstone, Mass Effect, Little Big Planet 2) working as an assistant and aide, quickly becoming an apprentice composer.

With airtime on BBC Radio 2 at the age of just 20, the young prodigy’s career looks firmly positive ahead, and his compositional and orchestrative techniques have won him composition and sound design roles for feature-length films and multiple animations and video games.