A very melancholic and contemplative drama cue, lead by an upright bass jazz solo, embellished with sparse piano. This piece identifies with a lonely character who might be reminiscing or soul searching. [Tempo: Very slow, Slow / 0 BPM]
A highly intense and gripping suite of action and suspense scoring, underlying anything from the plot of a spy to the chase of an escaped convict. Orchestral in nature with big drums and driving percussion rhythms, in the vein of John Powell's "Bourne" movies and the scores of Hanz Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers"). [Tempo: Medium, Fast / 93 BPM]
A gently inspiring and uplifting dramatic cue, underscoring scenes of heart felt hope and sentiments. Light piano and rhythm with ambient textures. [Tempo: Medium / 110 BPM]
A "2001: A Space Odyssey" sound-alike (aka Also Spracht Zarathustra) of the famous Richard Strauss regal fanfare. Suitable for films, TV shows, events, and commercials that need the cliche or anything majestic and presentational. Full symphony orchestra with optional choir. [Tempo: Medium / 80 BPM]
Tense, horrific survival music, blending hard percussion with orchestral elements. Changes between pensive, nervous parts and more action filled parts for chase, action scenes. Nervous, slightly chaotic, disoriented. [Tempo: Medium / 95 BPM]
An intense action cue with driving percussion rhythms, orchestral energy, and big drums, underscoring anything from a fast car chase to a battle between man and machine. Very much in the vein of John Powell's "Bourne" movies and the scores of Hanz Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers"). [Tempo: Medium / 90 BPM]
An intense epic action cue with driving percussion rhythms, orchestral energy, and big drums, underscoring anything from a fast car chase to a battle between man and machine. Very much in the vein of John Powell's "Bourne" movies and the scores of Hanz Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers"). [Tempo: Slow, Fast / 122 BPM]
A dramatic, emotionally uplifting and moving composition for string orchestra with a powerfully developed theme, underscoring anything from an epic farewell to an ultimate heartfelt redemption. [Tempo: Very slow / 110 BPM]
A fun orchestral fantasy cue that starts with a mellow and mysterious intro leading to a magical montage of the Wicked Witch, Frankenstein Monster, and a Disney Princess, followed by a smaller and more child-like echo of the three themes. Goes from dark to light to dark to light... Great for Halloween or film cliches. [Tempo: Slow, Fast / 0 BPM]
A Kaleidoscope of color! A vibrant and exciting fantasy piece that starts with a subtle pulse, builds to an explosive climax, and subsides again through a magical journey. Orchestral with world/ethnic instruments, drums, and electric guitar. [Tempo: Medium / 61 BPM]
An intensely suspenseful mystery/horror cue underscoring anything from a deceitful murder to a ruthless intruder. Orchestral with eerie piano and creepy ambient fx, in the vein of James Newton Howard's scores for M. Night Shyamalan films (The Village, Signs, The Happening). [Tempo: Very slow, Slow / 0 BPM]
An intensely suspenseful mystery cue underscoring anything from a deceitful murder to a sudden kidnapping. Orchestral with piano, with electric bass and percussion, in the vein of James Newton Howard's scores for M. Night Shyamalan films (The Village, Signs, The Happening). [Tempo: Medium, Fast / 0 BPM]
An intensely suspenseful mystery cue underscoring anything from a deceitful murder to a mass epidemic. Orchestral with piano, in the vein of James Newton Howard's scores for M. Night Shyamalan films (The Village, Signs, The Happening). [Tempo: Medium / 94 BPM]
An pulsing suspenseful mystery cue underscoring anything from a rescue search to a shocking discovery. Orchestral with piano, in the vein of James Newton Howard's scores for M. Night Shyamalan films (The Village, Signs, The Happening). [Tempo: Medium / 90 BPM]
An intensely suspenseful mystery cue underscoring anything from a deceitful murder to a mass epidemic. Orchestral with piano, in the vein of James Newton Howard's scores for M. Night Shyamalan films (The Village, Signs, The Happening). [Tempo: Medium / 86 BPM]
A romantic and heartfelt piece underscoring the bond between two friends or the love between two lovers. The first half has much more motion, and the second half is more sentimental. Nostalgic piano, harp, strings, and clarinet. [Tempo: Slow, Medium / 0 BPM]
A very dreamy and lovely romantic piece with piano and ambient instruments underscoring anything from love making to a bittersweet homecoming. [Tempo: Slow / 0 BPM]
A beautifully fresh and dreamy orchestral theme underscoring wonder, awe, and magical drama. Piano, strings, french horns, harp, oboe, clarinet. [Tempo: Medium / 80 BPM]
An epic orchestral war cue with a constant build to a dramatic climax, underscoring anything from a medieval battleground to the uprising of the ultimate villain. Similar to "Mars" from "The Planets," and perfect for trailers and epic action films. [Tempo: Slow, Medium / 74 BPM]
A psychological and dramatic thriller cue with a very thematic and building ostinato, underscoring anything from breaking news to an emotional or suspenseful montage to a crime or paranormal investigation. In the vein of Mike Oldfield's "Tubular Bells" used in "The Exorcist." [Tempo: Medium, Fast / 135 BPM]
A heart-warming and hopeful theme with guitar, piano, bass, drums, and strings. Perfect for PSAs and commercials. [Tempo: Medium / 120 BPM]
A funky Sugar Plum Fairy remix with downbeat urban style hip-hop drums. Cool and fresh version of the classic Tchaikovsky piece. Trad./Arr: Jason Livesay [Tempo: Medium / 111 BPM]
An intensely suspenseful mystery cue underscoring anything from a deceitful murder to a mass epidemic, with a riveting climax. Orchestral with piano, in the vein of James Newton Howard's scores for M. Night Shyamalan films (The Village, Signs, The Happening). [Tempo: Medium / 0 BPM]
A building and pounding action cue with driving percussion rhythms, orchestral energy, and big drums, underscoring anything from a heist getaway to a battle between man and machine. Very much in the vein of John Powell's "Bourne" movies and the scores of Hanz Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers"). [Tempo: Fast / 75 BPM]
A touching and heart-warming theme with a fun sense of child-like wonder and magic, underscoring anything from a child's dance to a romantic outing in the park. Piano, vibes, celeste, marimba, glockenspiel, chimes, flute, oboe, clarinet, harp, and strings. [Tempo: Medium, Fast / 142 BPM]
An intense and fun action cue with driving percussion rhythms, orchestral energy, and big drums, underscoring anything from a major heist to a victorious getaway. Very much in the vein of John Powell's "Bourne" and "Italian Job" scores and the scores of Hanz Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers"). [Tempo: Medium / 80 BPM]
An intense epic action cue with driving percussion rhythms, orchestral energy, and big drums, underscoring anything from a fast car chase to a battle between man and machine. Very much in the vein of John Powell's "Bourne" movies and the scores of Hanz Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers"). [Tempo: Medium / 75 BPM]
An intense action cue with driving percussion rhythms, orchestral energy, and big drums, underscoring anything from a fast car chase to a battle between man and machine. Very much in the vein of John Powell's "Bourne" movies and the scores of Hanz Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers"). [Tempo: Fast, Very fast / 142 BPM]
An eerie and creepy figure of a ghost subtly sneaks by with a cold and evil presence in this electronic / ambient suspense cue. [Tempo: Slow, Medium / 96 BPM]
A suspenseful thriller cue with varying textures underscoring anything from hostage negotiations to a prison break. Orchestral with low piano, percussion, and and ambient fx. [Tempo: Slow, Medium / 112 BPM]
A creepy and eerie mystery/horror cue underscoring anything from a deceitful murder to an evil presence. Orchestral with piano, in the vein of James Newton Howard's scores for M. Night Shyamalan films (The Village, Signs, The Happening). [Tempo: Slow / 85 BPM]
A pulsing and building mystery cue underscoring anything from an undercover mission to entering a new and suspicious world. Ambient FX, electric bass, strings, brass, rhythmic and mallet percussion. [Tempo: Very slow, Slow / 87 BPM]
Nice and easy going, pleasant and positive track with guitars, strings and piano. [Tempo: Medium / 113 BPM]
A very romantic and lush theme underscoring love, sentimental passion, and yearning. Slow and mellow strings, flute, and harp in the style of Ennio Morricone. [Tempo: Slow / 65 BPM]
A very melancholy and contemplative dramatic cue with a hint of romance underscoring anything from the nostalgic memory of a lost loved one to a somber walk in the park. Piano, strings, and bass. [Tempo: Very slow / 0 BPM]
A dreamy and ambient background piece with driving feel-good percussion and a hopeful sense of magic, building to an inspiring climax. Perfect for documentaries, corporate videos and commercials. [Tempo: Slow, Medium, Fast / 125 BPM]
Two different, short versions of the famous March from The Nutcracker Suite by Tchaikovsky. One has a traditional orchestral sound, the other is a 'hip remix'. Great for things like a Christmas theme on a web site etc. Trad./Arr: Jason Livesay [Tempo: Fast / 132 BPM]
A hip psychological dramatic cue underscoring contemporary night life with sexy and dangerous undertones. Electronic and ambient instruments, urban grooves, and piano and strings. [Tempo: Medium / 79 BPM]
A joyful and magical symphonic fanfare, in the style of John Williams. Perfect for celebrations, films, corporate videos, and commercials. Orchestral, brass, winds, strings, percussion. [Tempo: Fast / 120 BPM]
An intense action cue with driving percussion rhythms, orchestral energy, and big drums, underscoring anything from a fast car chase to a battle between man and machine. Very much in the vein of John Powell's "Bourne" movies and the scores of Hanz Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers"). [Tempo: Fast / 130 BPM]
A fun and fast chase cue underscoring a more comedic getaway. This cue starts subtle and builds to a climax, then subsides again. Guitars, bongo percussion, piano, strings, and acoustic bass. [Tempo: Fast / 138 BPM]
Crime or action drama theme. A staccato, pulsating bass provides a sense of nervous urgency, while piano, strings and percussion play variations over a dramatic, pensive theme. [Tempo: Medium / 140 BPM]
A fun new take on the Auld Lang Syne. Trad./Arr. J Livesay [Tempo: Medium, Fast / 111 BPM]
An intense epic action cue that starts mysterious and builds to full out action with driving percussion rhythms, orchestral energy, and big drums, underscoring anything from a fast car chase to a battle between man and machine. Very much in the vein of John Powell's "Bourne" movies and the scores of Hanz Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers"). [Tempo: Fast / 138 BPM]
An intense epic action cue with driving percussion rhythms, orchestral energy, and big drums, underscoring anything from a reckless helicopter chase to a battle between man and machine. Very much in the vein of Danny Elfman's action scores and the scores of Hanz Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers"). [Tempo: Fast / 155 BPM]
An intense epic action cue with driving percussion rhythms, orchestral energy, and big drums, underscoring anything from a fast car chase to a battle between man and machine, with a riveting climax. Very much in the vein of John Powell's "Bourne" movies and the scores of Hanz Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers"). [Tempo: Fast / 155 BPM]
"Constructing the Machine". A pulsing and building orchestral thriller montage cue underscoring anything from working mathematical formulas to constructing a time machine. Rhythmic percussion, brass, strings, ambient fx, electronic instruments. [Tempo: Medium / 128 BPM]
A fun and mysterious comedy cue underscoring anything from sneaking around, scheming, hiding, tip-toeing, to investigating a haunting. Light orchestral with pizzicato strings, piano, flute, clarinet. [Tempo: Slow / 71 BPM]
A very dramatic and grippingly emotional epic composition with orchestral, choral, and world instruments with middle-eastern colors. This piece starts with a very mysterious and vast introduction before a rise to a driving and almost tragic emotional climax. Perfect for trailers. [Tempo: Very fast / 120 BPM]
An intensely suspenseful mystery cue underscoring anything from a deceitful murder to a mass epidemic. Orchestral with piano, in the vein of James Newton Howard's scores for M. Night Shyamalan films (The Village, Signs, The Happening). [Tempo: Slow / 70 BPM]
