Stock Music track: Neon Lights (M Peterman)
Cool, laid back lounge tracks. Crushed red velvet chairs, and smoke circles. This tracks is mix of modern, lazy jazz, and lofi indie grooves. Classy, old school style meets the electronic age.
|Track ID number:||8230|
|Genres:||Chill-Out Grooves / Lounge / Chill-Hop -- Jazz: Soft & smooth jazz|
|Moods/Emotions:||Laid back / Easy-going / Chilled -- Angelic / Heavenly / Delightful -- Floating / Ethereal / Dreamy|
|Suggested Production Types:||Family / Light Entertainment -- Nature / Natural World -- Relaxation / Spa / Indulgence|
|Prominent Instruments:||Bass (Electric) -- Drums (Drum Kit) -- Piano (Electric) / Clav|
|Tempo Beats Per Minute:||111|
|Composer:||Michael Peterman (BMI)|
|Publisher:||Michael Peterman (BMI)|
|SRCO (Sound Recording Copyright Owner):||Michael Peterman|
|PRO / Non-PRO Track?||PRO (What's this?)|
|WAV file bit depth:||HD / 24-Bit (What's this?)|
|Stem files available for this track:||No|
|Album containing this track:||(None)|
My name is Michael Peterman, I am a BMI affiliated, professional freelance film composer specializing in short run (60-90 second) film cues, and it's taken a long time to get here.
After paying my dues to the local scene in Boston MA for more than six years with nothing to show for it, I needed to make a change. Late nights, long drives, lost friends, and no clear sense of direction gave way to my day job, and the bar scene, this time i saw it from a stool, not the stage.
I took more than a year off, I moved three times, I got laid off, and I just sat around watching movies. My DVD collection rose from about three, to over two hundred in only a month. I started noticing myself becoming more focused on the music and sound design of these films, rather than the actors or even the story. I started buying movies based more on who wrote the music than who was in it, or what it was about.
I started writing music again, and a lot of it. This time I wasn't trying to find something to impress a bunch of drunk kids at the bar down the street, I wanted to write something that I could really respect.
Now, drawing on my combined experience of more than eleven years writing, recording, and performing, I've become comfortable working in a highly detailed, deadline oriented environment. Producing broadcast quality music for film and TV projects.
My work can be heard in a handful of indie film, and TV productions, and my list of credits is only getting longer, thanks in part to professionals like Bjorn from Shockwave-Sound.com who have supported my work.
I'm looking forward to doing this for a long time.