Fairly light as electronic music goes, this feelgood track features suspended pads, a deep bass grove and a breakbeat type rhythm that sets in at about 40 seconds into the full length version.
|Track ID number:||3418|
|Genres:||Electronic music: Techno / Trance / Club / House / Dance|
|Moods/Emotions:||Floating / Ethereal / Dreamy -- Reflective / Thoughtful / Introspective|
|Suggested Production Types:||Forensics / Investigative -- Lounge / Cafe / Lobby / Bar -- Vacation / Travel / Discovery|
|Prominent Instruments:||Bass (Electric) -- Drum machine / Electronic drums -- Ethnic percussion / Tribal drums -- Ethnic / World / Indigenous instruments -- Synthesizers|
|Tempo Beats Per Minute:||115|
|Composer:||John William Radford (PRS - CAE#: 477767492)|
|SRCO (Sound Recording Copyright Owner):||John William Radford|
|PRO / Non-PRO Track?||PRO (What's this?)|
|WAV file bit depth:||CD-quality / 16-bit (What's this?)|
|Stem files available for this track:||No|
|Album containing this track:||(None)|
John is the founder and primary writer for 1underproductions. John studied music technology at Rose Bruford College (London). After graduating, John persued the traditional route, making tea at Ascent Media and then Grand Central Recording studios.
Once his tea-making skills were honed, John went to work for the Boiler House boys in Chelsea. There he worked with several artists, including Shazney Lewis, Harmar Superstar and Joss Stone. John also worked on films including the Calcium Kid (Orlando Bloom) and Trauma (Colin Firth).
Since leaving the Boiler House, John set up 1underproductions. John is able to compose in many different styles and can write to specific briefs.
Composer's performance affiliation: PRS