Stock Music track: Dawn of a Crime

Dramatic, melodic and thrilling track with a sense of investigation, tragedy and the city at night. Piano lines and driving percussion in a modern/orchestral context. Climax with an epic feel at 0:31.

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  • $38.55
Shockwave-Sound.com T22819 22.95 9.95

Track details

Track ID number: 22819
Genres: Film & Soundtrack: Music for Dramatic Trailers -- Film & Soundtrack: Urgent / Chase / Battle / Action underscores
Moods/Emotions: Strong / Confident / Tough -- Menacing / Dangerous / Threatening -- Excited / Enthusiastic / Energetic -- Heroic / Patriotic / Valiant
Suggested Production Types: Action / Chase -- Epic Trailers -- Fantasy / Fantasy World -- TV Commercial - Macho / Rough -- TV Commercial - Exciting / Euphoric
Prominent Instruments: Choir -- Drums (Big, Epic or Marching) -- Piano (Acoustic) -- String Section
Keywords / Hints: thrilling, exciting, dramatic, drama, tragic, tragedy, trailer, teaser, spot, TV, intense, seductive, urban, cinematic, driving, cool, modern, orchestral, film score, promo, melodic, reality, city, night, serious, thriller, synths, documentary, bank heist, chase
Tempo feel: Fast
Tempo Beats Per Minute: 120
Artist: Lionel Schmitt
Composer: Schmitt, Lionel Desmond Jerome Kofi (BMI)
Publisher: Lynne Publishing (PRS)
SRCO (Sound Recording Copyright Owner): Schmitt, Lionel Desmond Jerome Kofi
PRO / Non-PRO Track? PRO (What's this?)
WAV file bit depth: CD-quality / 16-bit (What's this?)
Stem files available for this track: No
Album containing this track: (None)
About the Artist
Lionel Schmitt Lionel Schmitt

Hi I'm Lionel, born in 1998, composer of cinematic music, living in Germany.

I write music in many different styles and types - from emotional musical portraits to big epic jackhammers. ;)

While I love writing cinematic music in all it's facets the most, I don't really want to write music for actual films or games. I don't enjoy being locked to a specific pace of events that dictates the flow of the music and hinders the music from having its own structure. Writing production/trailer music allows for much more creative freedom.

I hardly ever use loops or other things that "make the music" for me. I usually play/program everything myself, including drums. And my goal is to make everything as lively and interesting as possible and I always work a lot to make the orchestral samples I currently have sound as realistic as possible. 

I have zero musical education – all my music comes from my heart and just follow my instincts. 

In about 2013 I started fooling around with a little keyboard, without any proper software and still wrote some music using a weird custom notation system. I started writing music seriously at the beginning of 2015.

 

Hope you enjoy the music and thanks for stopping by.