Stock Music track: Winter Glow

An emotional, modern, orchestral track. Melodic piano lines, choir, piccolo flute, full orchestra and drum grooves. Uplifting and atmospheric, with a confident character. A more dynamic and somewhat epic part comes at 0:54.

Shockwave-Sound.com T22816 11.95 42.25

Track details

Track ID number: 22816
Genres: Film & Soundtrack: Cinematic Main themes -- Film & Soundtrack: Amazement / Wonderment / Enchanted -- Film & Soundtrack: Victorious / Triumphant / Celebratory
Moods/Emotions: Amazement / Wonderment / Awe -- Celebratory / Triumphant / Successful -- Heroic / Patriotic / Valiant -- Regal / Majestic / Honorable
Suggested Production Types: Documentary / Culture / Art -- Fantasy / Fantasy World -- Period Drama / Melodrama -- Vacation / Travel / Discovery
Prominent Instruments: Flute / Pan Flute / Recorder -- Piano (Acoustic) -- String Section
Keywords / Hints: atmospheric, modern, orchestral, drama, emotional, emotive, melodic, driving, documentary, beautiful, landscape, nature, human, poignant, flowing, soundscape, moving, uplifting, motivating, movie, film score, cinematic, soundtrack, TV, trailer, advertising, wonder, sweeping, sucess, magical
Tempo feel: Medium
Tempo Beats Per Minute: 120
Artist: Lionel Schmitt
Composer: Schmitt, Lionel Desmond Jerome Kofi (BMI)
Publisher: Lynne Publishing (PRS)
SRCO (Sound Recording Copyright Owner): Schmitt, Lionel Desmond Jerome Kofi
PRO / Non-PRO Track? PRO (What's this?)
WAV file bit depth: CD-quality / 16-bit (What's this?)
Stem files available for this track: No
Album containing this track: (None)
About the Artist
Lionel Schmitt Lionel Schmitt

Hi I'm Lionel, born in 1998, composer of cinematic music, living in Germany.

I write music in many different styles and types - from emotional musical portraits to big epic jackhammers. ;)

While I love writing cinematic music in all it's facets the most, I don't really want to write music for actual films or games. I don't enjoy being locked to a specific pace of events that dictates the flow of the music and hinders the music from having its own structure. Writing production/trailer music allows for much more creative freedom.

I hardly ever use loops or other things that "make the music" for me. I usually play/program everything myself, including drums. And my goal is to make everything as lively and interesting as possible and I always work a lot to make the orchestral samples I currently have sound as realistic as possible. 

I have zero musical education – all my music comes from my heart and just follow my instincts. 

In about 2013 I started fooling around with a little keyboard, without any proper software and still wrote some music using a weird custom notation system. I started writing music seriously at the beginning of 2015.

 

Hope you enjoy the music and thanks for stopping by.