Stock Music track: Drive to Hell

Aggressive and fast-paced action piece with intense orchestra, rock guitars, drum kit and choir in the background. Reminiscent of a cinematic chase scene or especially tense moments competitive sports. Tension and drama throughout the piece.

All versions
  • $32.70
Shockwave-Sound.com T22810 27.95 32.70

Track details

Track ID number: 22810
Genres: Film & Soundtrack: Music for Dramatic Trailers -- Film & Soundtrack: Urgent / Chase / Battle / Action underscores
Moods/Emotions: Angry / Aggressive / Fierce -- Strong / Confident / Tough -- Excited / Enthusiastic / Energetic -- Chaotic / Uncontrolled / Wild
Suggested Production Types: Action / Chase -- Military / War -- Sports & Active Lifestyle
Prominent Instruments: Brass section / Horns -- Choir -- Drums (Drum Kit) -- Guitar (Electric) -- String Section
Keywords / Hints: cinematic, trailer music, action, dramatic, drama, film, soundtrack, film score, agent, police, frantic, horror, rock, choir, choral, orchestral, intensity, intense, chase, sports, energy, energetic, fast, aggression, aggressive, thriller, crime, tense, gothic, hard-hitting
Tempo feel: Fast -- Very fast
Tempo Beats Per Minute: 93
Artist: Lionel Schmitt
Composer: Schmitt, Lionel Desmond Jerome Kofi (BMI)
Publisher: Lynne Publishing (PRS)
SRCO (Sound Recording Copyright Owner): Schmitt, Lionel Desmond Jerome Kofi
PRO / Non-PRO Track? PRO (What's this?)
WAV file bit depth: CD-quality / 16-bit (What's this?)
Stem files available for this track: No
Album containing this track: (None)
About the Artist
Lionel Schmitt Lionel Schmitt

Hi I'm Lionel, born in 1998, composer of cinematic music, living in Germany.

I write music in many different styles and types - from emotional musical portraits to big epic jackhammers. ;)

While I love writing cinematic music in all it's facets the most, I don't really want to write music for actual films or games. I don't enjoy being locked to a specific pace of events that dictates the flow of the music and hinders the music from having its own structure. Writing production/trailer music allows for much more creative freedom.

I hardly ever use loops or other things that "make the music" for me. I usually play/program everything myself, including drums. And my goal is to make everything as lively and interesting as possible and I always work a lot to make the orchestral samples I currently have sound as realistic as possible. 

I have zero musical education – all my music comes from my heart and just follow my instincts. 

In about 2013 I started fooling around with a little keyboard, without any proper software and still wrote some music using a weird custom notation system. I started writing music seriously at the beginning of 2015.

 

Hope you enjoy the music and thanks for stopping by.