Stock Music track: Drive to Hell

Aggressive and fast-paced action piece with intense orchestra, rock guitars, drum kit and choir in the background. Reminiscent of a cinematic chase scene or especially tense moments competitive sports. Tension and drama throughout the piece.

All versions
  • $32.70
Shockwave-Sound.com T22810 27.95 32.70

Track details

Track ID number: 22810
Genres: Film & Soundtrack: Music for Dramatic Trailers -- Film & Soundtrack: Urgent, Chase, Battle, Action underscores
Moods/Emotions: Angry / Aggressive / Fierce -- Strong / Confident / Tough -- Excited / Enthusiastic / Energetic -- Chaotic / Uncontrolled / Wild
Suggested Production Types: Action / Chase -- Military / War -- Sports / Motorsports
Prominent Instruments: Brass section / Horns -- Choir -- Drums (Drum Kit) -- Guitar (Electric) -- String Section
Tempo feel: Fast -- Very fast
Tempo Beats Per Minute: 93
Artist: Lionel Schmitt
Composer: Schmitt, Lionel Desmond Jerome Kofi (BMI)
Publisher: Lynne Publishing (PRS)
SRCO (Sound Recording Copyright Owner): Schmitt, Lionel Desmond Jerome Kofi
PRO / Non-PRO Track? PRO (What's this?)
WAV file bit depth: CD-quality / 16-bit (What's this?)
Stem files available for this track: No
Album containing this track: (None)
About the Artist
Lionel Schmitt Lionel Schmitt

Hi I'm Lionel, born in 1998, composer of cinematic music, living in Germany.

I write music in many different styles and types - from emotional musical portraits to big epic jackhammers. ;)

While I love writing cinematic music in all it's facets the most, I don't really want to write music for actual films or games. I don't enjoy being locked to a specific pace of events that dictates the flow of the music and hinders the music from having its own structure. Writing production/trailer music allows for much more creative freedom.

I hardly ever use loops or other things that "make the music" for me. I usually play/program everything myself, including drums. And my goal is to make everything as lively and interesting as possible and I always work a lot to make the orchestral samples I currently have sound as realistic as possible. 

I have zero musical education – all my music comes from my heart and just follow my instincts. 

In about 2013 I started fooling around with a little keyboard, without any proper software and still wrote some music using a weird custom notation system. I started writing music seriously at the beginning of 2015.

 

Hope you enjoy the music and thanks for stopping by.