Stock Music track: Crystalline Sunlight

An atmospheric piece with bell-like ambient sounds and some soft guitar notes. Evokes a feeling of purity and calm. Perhaps about returning to place full of memories or finding inner peace.

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  • $26.00
Shockwave-Sound.com T22807 17.95 26.00

Track details

Track ID number: 22807
Genres: Ambient: Light / Blissful / Heavenly -- Ambient: Dark / Melancholy / Eerie / Mystical -- Film & Soundtrack: Introspective / Thoughtful / Reflective underscores
Moods/Emotions: Peaceful / Tranquil / Bliss -- Reflective / Thoughtful / Introspective -- Mysterious / Mystical / Secretive
Suggested Production Types: Documentary / Culture / Art -- Nature / Natural World -- New Age / Healing / Holistic -- Religious / Faith / Spiritual -- Underwater / Deep Sea
Prominent Instruments: Bells / Glockenspiel / Celeste -- Ethereal Pads / Soundscapes -- Synth Pads
Keywords / Hints: beautiful, clean, pure, purity, atmospheric, calm, mysterious, mystery, secret, forest, nature, ambient, air, breath, spiritual, rest, meditation, light, bright, sun, relaxed, soft, drama, relief, flowing, moving, sensitive, quiet, sound design
Tempo feel: Very slow -- Slow
Tempo Beats Per Minute: 136
Artist: Lionel Schmitt
Composer: Schmitt, Lionel Desmond Jerome Kofi (BMI)
Publisher: Lynne Publishing (PRS)
SRCO (Sound Recording Copyright Owner): Schmitt, Lionel Desmond Jerome Kofi
PRO / Non-PRO Track? PRO (What's this?)
WAV file bit depth: CD-quality / 16-bit (What's this?)
Stem files available for this track: No
Album containing this track: (None)
About the Artist
Lionel Schmitt Lionel Schmitt

Hi I'm Lionel, born in 1998, composer of cinematic music, living in Germany.

I write music in many different styles and types - from emotional musical portraits to big epic jackhammers. ;)

While I love writing cinematic music in all it's facets the most, I don't really want to write music for actual films or games. I don't enjoy being locked to a specific pace of events that dictates the flow of the music and hinders the music from having its own structure. Writing production/trailer music allows for much more creative freedom.

I hardly ever use loops or other things that "make the music" for me. I usually play/program everything myself, including drums. And my goal is to make everything as lively and interesting as possible and I always work a lot to make the orchestral samples I currently have sound as realistic as possible. 

I have zero musical education – all my music comes from my heart and just follow my instincts. 

In about 2013 I started fooling around with a little keyboard, without any proper software and still wrote some music using a weird custom notation system. I started writing music seriously at the beginning of 2015.

 

Hope you enjoy the music and thanks for stopping by.