Stock Music track: Under the Moonlight (J Swanson)

Bossa nova makes the world fall in love. Dreamy, elegant jazz orchestra with that classic Bossa Nova sound. Cocktails and dinner in the lounge; romance by candlelight.

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  • $41.95
Shockwave-Sound.com T22486 22.95 41.95

Track details

Track ID number: 22486
Genres: Jazz: Bossa Nova / Latin Jazz -- Comedy music - Light & Quirky
Moods/Emotions: Laid back / Easy-going / Chilled -- Funny / Playful / Whimsical / Comical -- Sexy / Flirtatious / Erotic
Suggested Production Types: Comedy / Sitcom / Dramedy -- Historical / Retro: 1970's -- Historical / Retro: 1960's -- TV Commercial - Quirky / Fun
Prominent Instruments: Bass (Upright/Acoustic) -- Drums (Drum Kit) -- Guitar (Acoustic) -- Piano (Acoustic) -- Trumpet -- Violin / Viola / Fiddle
Keywords / Hints: Antonio Carlos Jobim, Stan Getz, cool, 1960, 1960s, 1960's, 60's, 60s, 1970, 1970s, 1970's, 70's, 70s, elevator music, muzak, television, film, cheesy, strings, electric guitar, advertising, Bossa Nova, latin, romantic, Brazil, lounge, cocktails, club, restaurant, calm
Tempo feel: Slow -- Medium
Tempo Beats Per Minute: 138
Artist: Buddy Moncrief
Composer: Buddy Moncrief (BMI)
Publisher: Lynne Publishing (PRS)
SRCO (Sound Recording Copyright Owner): Buddy Moncrief
PRO / Non-PRO Track? PRO (What's this?)
WAV file bit depth: HD / 24-Bit (What's this?)
Stem files available for this track: No
Album containing this track: (None)
About the Artist
Buddy Moncrief Buddy Moncrief

Somewhere out on New Route 66, about 50 miles west of Sinatra and 75 miles east of Tom Waits, Swanson struts his swingin' and singin'. He loves Dave Frishberg songs and Johnny Walker in a tumbler. He'd like to hear Kurt Elling cover Stone Temple Pilots. Lonnie Johnson is God.

On his latest full-length release "We Can't Party Like We Used To" (2009 Acoustic SwaneeLand), Swanson pounds out 12 original vocal jazz cuts with a cool retro vibe. His bluesy vocals and tasty guitar licks remind of crooners past and present - Sinatra, Cole, John Pizzarelli come to mind - but his clever songwriting has a leaner, edgier feel to it that puts him squarely in the current century.