Rusty Indie rock with a strong grunge influence from the nineties. Driving and punchy drums, joined by chuggy bass and nasty indie guitars.
|Track ID number:||22268|
|Genres:||Rock: General Rock / Guitar music -- Rock: Hard Rock / Heavy Metal -- Rock: Indie-Rock / Alternative Rock / Post-Rock / Ambient Rock|
|Moods/Emotions:||Ironic / Spiteful / Bad Attitude -- Strong / Confident / Tough -- Menacing / Dangerous / Threatening -- Regret / Painful / Bitter / Angsty -- Cool / Funky / Strutting -- Trippy / Psychedelic / Hypnotic|
|Suggested Production Types:||Men / Motors / Guys stuff -- Sports / Motorsports -- TV Commercial - Macho / Rough|
|Prominent Instruments:||Bass (Electric) -- Drums (Drum Kit) -- Guitar (Electric)|
|Tempo Beats Per Minute:||126|
|Artist:||Felipe Adorno Vassao|
|Composer:||Felipe Adorno Vassao (ABRAMUS - CAE#: 554403564)|
|Publisher:||Lynne Publishing (PRS - CAE#: 541626758)|
|PRO / Non-PRO Track?||PRO (What's this?)|
|WAV file bit depth:||HD / 24-Bit and CD-quality / 16-bit (What's this?)|
|CD-collection containing this track:|| Music collection: Testosterone, Vol. 4 |
Felipe Adorno Vassao is a composer, performer and producer working out of his professional studio setup in São Paulo, Brazil. He produces tracks exclusively for the Lynne Publishing / Shockwave-Sound.com music library, he is a multi instrumentalist and even a vocalist on occasion - and he likes to cover a variety of styles and genres.
Felipe has composed music for advertising for several brands, including Audi, C&A, Danone, Everlast, Fiat, Ford, General Motors, Hertz, HP, InBev, KIA, LG, L'oreal, McDonald's, Nestlé, Pepsico, Procter&Gamble, Renault, Sprite, Unilever and Volkswagen.
At the time of writing, Felipe's latest major work was as a composer and producer on the Brazilian rapper Emicida's latest album "O Glorioso Retorno de Quem Nunca Esteve Aqui", which was awarded Album of the Year by several music critics.
Said Felipe: "Working with advertising music since early 90s I've honed my skills in a variety of genres. And writing production music has become a "playground" in which I can experiment, have fun and challenge myself in telling a different story each time."