Eyes on the Beat
Sexy and groovy R&B beat, with a somewhat jazz feel to it. Influenced by Dr Dre and early 90's rap, or even Destiny's Child and early Beyoncé type of instrumental. [Note: Alternate track title: Dr Dree].
|Track ID number:||19235|
|Genres:||Urban styles: Funk -- Urban styles: Hip Hop / Trap -- Urban styles: R&B / Soul / Urban Pop|
|Moods/Emotions:||Ironic / Spiteful / Bad Attitude -- Cool / Funky / Strutting -- Funny / Playful / Whimsical / Comical|
|Suggested Production Types:||Men / Motors / Guys stuff -- TV Commercial - Macho / Rough -- Urban Culture / Youth Subculture|
|Prominent Instruments:||Bass (Electric) -- Brass section / Horns -- Drum machine / Electronic drums|
|Tempo feel:||Slow -- Medium|
|Tempo Beats Per Minute:|
|Artist:||Felipe Adorno Vassao|
|Composer:||Felipe Adorno Vassao (ABRAMUS - CAE#: 554403564)|
|Publisher:||Lynne Publishing (PRS - CAE#: 541626758)|
|PRO / Non-PRO Track?||PRO (What's this?)|
|WAV file bit depth:||HD / 24-Bit and CD-quality / 16-bit (What's this?)|
|CD-collection containing this track:|| Music collection: Hip Hop Beatz, Vol. 9 |
Felipe Adorno Vassao is a composer, performer and producer working out of his professional studio setup in São Paulo, Brazil. He produces tracks exclusively for the Lynne Publishing / Shockwave-Sound.com music library, he is a multi instrumentalist and even a vocalist on occasion - and he likes to cover a variety of styles and genres.
Felipe has composed music for advertising for several brands, including Audi, C&A, Danone, Everlast, Fiat, Ford, General Motors, Hertz, HP, InBev, KIA, LG, L'oreal, McDonald's, Nestlé, Pepsico, Procter&Gamble, Renault, Sprite, Unilever and Volkswagen.
At the time of writing, Felipe's latest major work was as a composer and producer on the Brazilian rapper Emicida's latest album "O Glorioso Retorno de Quem Nunca Esteve Aqui", which was awarded Album of the Year by several music critics.
Said Felipe: "Working with advertising music since early 90s I've honed my skills in a variety of genres. And writing production music has become a "playground" in which I can experiment, have fun and challenge myself in telling a different story each time."