Stock Music track: That Kind of Class
Swinging big band jazz instrumental. Sax section belts out a bouncing melody, answered by trumpets and trombones. Sound reminiscient of the great big bands from 1940-1960 era.
|Track ID number:||18285|
|Genres:||Jazz: General & faster jazz -- Jazz: Old-time jazz / Retro jazz|
|Moods/Emotions:||Busy / Active / Bustling -- Happy / Joyful / Positive -- Celebratory / Triumphant / Successful|
|Suggested Production Types:||Comedy / Sitcom / Dramedy -- Historical / Retro: 1960's -- Historical / Retro: 1950's -- Historical / Retro: 1920-1940's -- Lounge / Cafe / Lobby / Bar|
|Prominent Instruments:||Bass (Upright/Acoustic) -- Brass section / Horns -- Drums (Drum Kit) -- Piano (Acoustic)|
|Keywords / Hints:||Glenn Miller, Tommy Dorsey, Count Basie, Duke Ellington, Frank Sinatra, jazz, swing, big band, big band jazz, glitz, glitzy, celebration, celebratory, celebrate, happy, fun, upbeat, major, Broadway, Chicago, New York, Hollywood, restaurant, lounge, ballroom, dancing, In the Mood, Perdido, night, cool|
|Tempo feel:||Medium -- Fast|
|Tempo Beats Per Minute:||152|
|Composer:||John Scott Swanson (BMI - CAE#: 00545496814)|
|Publisher:||Lynne Publishing (PRS)|
|SRCO (Sound Recording Copyright Owner):||John Scott Swanson|
|PRO / Non-PRO Track?||PRO (What's this?)|
|WAV file bit depth:||CD-quality / 16-bit (What's this?)|
|Stem files available for this track:||No|
|Album containing this track:||(None)|
Somewhere out on New Route 66, about 50 miles west of Sinatra and 75 miles east of Tom Waits, Swanson struts his swingin' and singin'. He loves Dave Frishberg songs and Johnny Walker in a tumbler. He'd like to hear Kurt Elling cover Stone Temple Pilots. Lonnie Johnson is God.
On his latest full-length release "We Can't Party Like We Used To" (2009 Acoustic SwaneeLand), Swanson pounds out 12 original vocal jazz cuts with a cool retro vibe. His bluesy vocals and tasty guitar licks remind of crooners past and present - Sinatra, Cole, John Pizzarelli come to mind - but his clever songwriting has a leaner, edgier feel to it that puts him squarely in the current century.