Stock Music track: Night Drive (F A Vassao)
Eighties soaked slow jam, made entirely with retro synthesizers and drum machines. Synthwave music inspired by television series, cartoon themes and Kung Fury. Think Miami Vice slow motion montages, or a lonely night ride in 1984 Miami.
|Track ID number:||18064|
|Genres:||Retro Video Game sound -- Pop: Electro-Pop -- Specialty, Novelty, Sound-Alike|
|Moods/Emotions:||Strong / Confident / Tough -- Gloomy / Dark / Sinister -- Regret / Painful / Bitter / Angsty -- Mysterious / Mystical / Secretive|
|Suggested Production Types:||Historical / Retro: 1980's|
|Prominent Instruments:||Drum machine / Electronic drums -- Synth Pads -- Synthesizers|
|Tempo feel:||Very slow -- Slow|
|Tempo Beats Per Minute:||80|
|Artist:||Felipe Adorno Vassao|
|Composer:||Felipe Adorno Vassao (ABRAMUS - CAE#: 554403564)|
|Publisher:||Lynne Publishing (PRS - CAE#: 541626758)|
|SRCO (Sound Recording Copyright Owner):||Lynne Publishing AS|
|PRO / Non-PRO Track?||PRO (What's this?)|
|WAV file bit depth:||HD / 24-Bit (What's this?)|
|Stem files available for this track:||No|
|Album containing this track:||
Music collection: The 1980's, Vol. 2
Felipe Adorno Vassao is a composer, performer and producer working out of his professional studio setup in São Paulo, Brazil. He produces tracks exclusively for the Lynne Publishing / Shockwave-Sound.com music library, he is a multi instrumentalist and even a vocalist on occasion - and he likes to cover a variety of styles and genres.
Felipe has composed music for advertising for several brands, including Audi, C&A, Danone, Everlast, Fiat, Ford, General Motors, Hertz, HP, InBev, KIA, LG, L'oreal, McDonald's, Nestlé, Pepsico, Procter&Gamble, Renault, Sprite, Unilever and Volkswagen.
At the time of writing, Felipe's latest major work was as a composer and producer on the Brazilian rapper Emicida's latest album "O Glorioso Retorno de Quem Nunca Esteve Aqui", which was awarded Album of the Year by several music critics.
Said Felipe: "Working with advertising music since early 90s I've honed my skills in a variety of genres. And writing production music has become a "playground" in which I can experiment, have fun and challenge myself in telling a different story each time."