Stock Music track: Laser Ninja

Over the top eighties action music, made entirely with retro synthesizers and drum machines. Synthwave music inspired by television series, cartoon themes and Kung Fury. Later on the track there is a breakdown with some oriental flute elements.

Shockwave-Sound.com T18059 10.95 68.95

Track details

Track ID number: 18059
CD-collection containing this track: Music collection: The 1980's, Vol. 2
Genres: Retro Video Game sound -- Pop: Electro-Pop -- Specialty, Novelty, Sound-Alike
Moods/Emotions: Strong / Confident / Tough -- Excited / Enthusiastic / Energetic -- Mechanical / Robotic / Machine like
Suggested Production Types: Historical / Retro: 1980's
Prominent Instruments: Drum machine / Electronic drums -- Synthesizers
Tempo feel: Medium -- Fast
Tempo Beats Per Minute: 136
Artist: Felipe Adorno Vassao
Composer: Felipe Adorno Vassao (ABRAMUS - CAE#: 554403564)
Publisher: Lynne Publishing (PRS - CAE#: 541626758)
PRO / Non-PRO Track? PRO (What's this?)
WAV file bit depth: HD / 24-Bit and CD-quality / 16-bit (What's this?)
About the Artist
Felipe Adorno Vassao Felipe Adorno Vassao

Felipe Adorno Vassao is a composer, performer and producer working out of his professional studio setup in São Paulo, Brazil. He produces tracks exclusively for the Lynne Publishing / Shockwave-Sound.com music library, he is a multi instrumentalist and even a vocalist on occasion - and he likes to cover a variety of styles and genres.

Felipe has composed music for advertising for several brands, including Audi, C&A, Danone, Everlast, Fiat, Ford, General Motors, Hertz, HP, InBev, KIA, LG, L'oreal, McDonald's, Nestlé, Pepsico, Procter&Gamble, Renault, Sprite, Unilever and Volkswagen.

At the time of writing, Felipe's latest major work was as a composer and producer on the Brazilian rapper Emicida's latest album "O Glorioso Retorno de Quem Nunca Esteve Aqui", which was awarded Album of the Year by several music critics.

Said Felipe: "Working with advertising music since early 90s I've honed my skills in a variety of genres. And writing production music has become a "playground" in which I can experiment, have fun and challenge myself in telling a different story each time."