Stock Music track: Get Lo

Sax driven R&B tune, with a strong pop feel. Energetic and fun, yet cool and urban.

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  • $55.95
Shockwave-Sound.com T17991 20.95 55.95

Track details

Track ID number: 17991
Genres: Urban styles: Funk -- Urban styles: R&B / Soul / Urban Pop -- Urban styles: General / Other Urban
Moods/Emotions: Strong / Confident / Tough -- Excited / Enthusiastic / Energetic -- Cool / Funky / Strutting
Suggested Production Types: Party / Dancing / Fun times -- Style / Fashion / Make-up -- Urban Culture / Youth Subculture
Prominent Instruments: Drum machine / Electronic drums -- Guitar (Electric) -- Saxophone & Soprano Saxophone
Tempo feel: Medium
Tempo Beats Per Minute: 100
Artist: Felipe Adorno Vassao
Composer: Felipe Adorno Vassao (ABRAMUS - CAE#: 554403564)
Publisher: Lynne Publishing (PRS - CAE#: 541626758)
PRO / Non-PRO Track? PRO (What's this?)
WAV file bit depth: HD / 24-Bit and CD-quality / 16-bit (What's this?)
CD-collection containing this track:  Hip Hop Beatz, Vol. 9 Picture Music collection: Hip Hop Beatz, Vol. 9
11 tracks
About the Artist
Felipe Adorno Vassao Felipe Adorno Vassao

Felipe Adorno Vassao is a composer, performer and producer working out of his professional studio setup in São Paulo, Brazil. He produces tracks exclusively for the Lynne Publishing / Shockwave-Sound.com music library, he is a multi instrumentalist and even a vocalist on occasion - and he likes to cover a variety of styles and genres.

Felipe has composed music for advertising for several brands, including Audi, C&A, Danone, Everlast, Fiat, Ford, General Motors, Hertz, HP, InBev, KIA, LG, L'oreal, McDonald's, Nestlé, Pepsico, Procter&Gamble, Renault, Sprite, Unilever and Volkswagen.

At the time of writing, Felipe's latest major work was as a composer and producer on the Brazilian rapper Emicida's latest album "O Glorioso Retorno de Quem Nunca Esteve Aqui", which was awarded Album of the Year by several music critics.

Said Felipe: "Working with advertising music since early 90s I've honed my skills in a variety of genres. And writing production music has become a "playground" in which I can experiment, have fun and challenge myself in telling a different story each time."