Stock Music track: Nice Shoes

Fresh and cool EDM music track with huge influence from French Pop and Disco. Funky / Club / Dance Music.

Shockwave-Sound.com T17342 17.95 48.95

Track details

Track ID number: 17342
Genres: Pop: Electro-Pop -- Pop: Disco & Nu Disco -- Urban styles: Funk / Nu-Funk -- World: France / Paris / French music
Moods/Emotions: Cool / Funky / Strutting
Suggested Production Types: Party / Dancing / Fun times -- Style / Fashion / Make-up -- TV Commercial - Luxury / Style
Prominent Instruments: Drum machine / Electronic drums -- Guitar (Electric) -- Synthesizers
Tempo feel: Medium
Tempo Beats Per Minute: 115
Artist: Felipe Adorno Vassao
Composer: Felipe Adorno Vassao (ABRAMUS - CAE#: 554403564)
Publisher: Lynne Publishing (PRS - CAE#: 541626758)
SRCO (Sound Recording Copyright Owner): Lynne Publishing AS
PRO / Non-PRO Track? PRO (What's this?)
WAV file bit depth: HD / 24-Bit (What's this?)
Stem files available for this track: No
Album containing this track:  Funk, Vol. 7 Picture Music collection: Funk, Vol. 7
11 tracks
About the Artist
Felipe Adorno Vassao Felipe Adorno Vassao

Felipe Adorno Vassao is a composer, performer and producer working out of his professional studio setup in São Paulo, Brazil. He produces tracks exclusively for the Lynne Publishing / Shockwave-Sound.com music library, he is a multi instrumentalist and even a vocalist on occasion - and he likes to cover a variety of styles and genres.

Felipe has composed music for advertising for several brands, including Audi, C&A, Danone, Everlast, Fiat, Ford, General Motors, Hertz, HP, InBev, KIA, LG, L'oreal, McDonald's, Nestlé, Pepsico, Procter&Gamble, Renault, Sprite, Unilever and Volkswagen.

At the time of writing, Felipe's latest major work was as a composer and producer on the Brazilian rapper Emicida's latest album "O Glorioso Retorno de Quem Nunca Esteve Aqui", which was awarded Album of the Year by several music critics.

Said Felipe: "Working with advertising music since early 90s I've honed my skills in a variety of genres. And writing production music has become a "playground" in which I can experiment, have fun and challenge myself in telling a different story each time."