Stock Music track: Say What

Strong urban beat, with pounding 808 bass drum and quirky drum fills. Typical Trap Rap beat, in the style of Lil Wayne, Iggy Azalea and The Lonely Island.

Shockwave-Sound.com T17105 10.95 78.95

Track details

Track ID number: 17105
CD-collection containing this track: Music collection: Hip Hop Beatz, Vol. 7
Genres: Urban styles: Hip Hop / Trap
Moods/Emotions: Angry / Aggressive / Fierce -- Ironic / Spiteful / Bad Attitude -- Mechanical / Robotic / Machine like -- Trippy / Psychedelic / Hypnotic
Suggested Production Types: Men / Motors / Guys stuff -- Sports / Motorsports -- TV Commercial - Macho / Rough -- Urban Culture / Youth Subculture
Prominent Instruments: Drum machine / Electronic drums -- Synthesizers
Tempo feel: Slow
Tempo Beats Per Minute: 80
Artist: Felipe Adorno Vassao
Composer: Felipe Adorno Vassao (ABRAMUS - CAE#: 554403564)
Publisher: Lynne Publishing (PRS - CAE#: 541626758)
PRO / Non-PRO Track? PRO (What's this?)
WAV file bit depth: HD / 24-Bit and CD-quality / 16-bit (What's this?)
About the Artist
Felipe Adorno Vassao Felipe Adorno Vassao

Felipe Adorno Vassao is a composer, performer and producer working out of his professional studio setup in São Paulo, Brazil. He produces tracks exclusively for the Lynne Publishing / Shockwave-Sound.com music library, he is a multi instrumentalist and even a vocalist on occasion - and he likes to cover a variety of styles and genres.

Felipe has composed music for advertising for several brands, including Audi, C&A, Danone, Everlast, Fiat, Ford, General Motors, Hertz, HP, InBev, KIA, LG, L'oreal, McDonald's, Nestlé, Pepsico, Procter&Gamble, Renault, Sprite, Unilever and Volkswagen.

At the time of writing, Felipe's latest major work was as a composer and producer on the Brazilian rapper Emicida's latest album "O Glorioso Retorno de Quem Nunca Esteve Aqui", which was awarded Album of the Year by several music critics.

Said Felipe: "Working with advertising music since early 90s I've honed my skills in a variety of genres. And writing production music has become a "playground" in which I can experiment, have fun and challenge myself in telling a different story each time."