Stock Music track: Soul and Sweat

Funk, Soul, Retro, Sixties, Seventies,. Authentic retro soul funk in the style of James Brown. Strong drums and groovy bass topped by funky horns and a sax solo.

All versions
  • $42.95
Shockwave-Sound.com T16439 17.95 42.95

Track details

Track ID number: 16439
Genres: Urban styles: Funk -- Urban styles: R&B / Soul / Urban Pop
Moods/Emotions: Excited / Enthusiastic / Energetic -- Busy / Active / Bustling -- Cool / Funky / Strutting
Suggested Production Types: Historical / Retro: 1970's -- Historical / Retro: 1960's
Prominent Instruments: Brass section / Horns -- Drums (Drum Kit) -- Guitar (Electric) -- Organ -- Saxophone & Soprano Saxophone
Tempo feel: Fast -- Very fast
Tempo Beats Per Minute: 120
Artist: Felipe Adorno Vassao
Composer: Felipe Adorno Vassao (ABRAMUS - CAE#: 554403564)
Publisher: Lynne Publishing (PRS - CAE#: 541626758)
PRO / Non-PRO Track? PRO (What's this?)
WAV file bit depth: HD / 24-Bit and CD-quality / 16-bit (What's this?)
Stem files available for this track: No
CD-collection containing this track:  The 1970's, Vol. 3 Picture Music collection: The 1970's, Vol. 3
12 tracks
About the Artist
Felipe Adorno Vassao Felipe Adorno Vassao

Felipe Adorno Vassao is a composer, performer and producer working out of his professional studio setup in São Paulo, Brazil. He produces tracks exclusively for the Lynne Publishing / Shockwave-Sound.com music library, he is a multi instrumentalist and even a vocalist on occasion - and he likes to cover a variety of styles and genres.

Felipe has composed music for advertising for several brands, including Audi, C&A, Danone, Everlast, Fiat, Ford, General Motors, Hertz, HP, InBev, KIA, LG, L'oreal, McDonald's, Nestlé, Pepsico, Procter&Gamble, Renault, Sprite, Unilever and Volkswagen.

At the time of writing, Felipe's latest major work was as a composer and producer on the Brazilian rapper Emicida's latest album "O Glorioso Retorno de Quem Nunca Esteve Aqui", which was awarded Album of the Year by several music critics.

Said Felipe: "Working with advertising music since early 90s I've honed my skills in a variety of genres. And writing production music has become a "playground" in which I can experiment, have fun and challenge myself in telling a different story each time."