Stock Music track: The Eye

Horror movie inspired industrial metal powered by electronic beats. Heavy distorted guitar tones meet filthy electronica in horror filled basement.

Shockwave-Sound.com T15846 14.95 9.95

Track details

Track ID number: 15846
Genres: Electronic music: Edgy / Breakbeat / Dubstep -- Rocktronica / Hybrid Rock -- Film & Soundtrack: Danger / Tension / Threatening / Action pending underscores -- Film & Soundtrack: Urgent / Chase / Battle / Action underscores
Moods/Emotions: Angry / Aggressive / Fierce -- Gloomy / Dark / Sinister -- Regret / Painful / Bitter / Angsty -- Mechanical / Robotic / Machine like
Suggested Production Types: Horror / Thriller
Prominent Instruments: Drum machine / Electronic drums -- Guitar (Electric) -- Synth Pads
Keywords / Hints: industrial, metal, guitar, horror, saw, basement, terror, distorted, glitch, chains, darkness, evil, snuff, screaming, alone, tiled walls, insects, no escape, riffs, overdrive, overdriven, carnage, trapped, chained, nine inch nails, NiN, danger, dangerous, metallic
Tempo feel: Slow -- Medium
Tempo Beats Per Minute: 140
Artist: Barry Gilbey
Composer: Barry Gilbey (PRS - CAE#: 280569740)
Publisher: Lynne Publishing (PRS)
SRCO (Sound Recording Copyright Owner): Lynne Publishing AS
PRO / Non-PRO Track? PRO (What's this?)
WAV file bit depth: CD-quality / 16-bit (What's this?)
Stem files available for this track: No
Album containing this track:  Dark Beats, Vol. 1 Picture Music collection: Dark Beats, Vol. 1
11 tracks
About the Artist
Barry Gilbey Barry Gilbey

From early beginnings running and developing the Choo Choo label to worldwide DJ and live performance tours with Mara (including residencies in Moscow, Lithuania and the UK), as well as writing music for countless TV shows, Gilbey has remixed and worked with the very best. He boasts writing credits alongside artists as diverse as The Human League and BT (Brian Transeau) and a truly epic discography and remixography.

Whilst perhaps best known previously for his work in house music he embraces his love of all things technological and electronic and writes with a passion that overcomes any boundaries of style or genre, being equally at home writing orchestral pieces or bass heavy dubstep.

He now spends his time based in Sheffield UK, focused on writing for film and TV as well as being a sought after music industry consultant.

Says Barry: "From being a little kid, all I ever wanted to do was to write for film and TV, I've always felt it's an honour to be writing to picture as it's such an important part of the creative process for film making" beams a clearly enthused Gilbey. "I'm just loving being in the studio and I feel that's when I'm at my best".