Stock Music track: The Trolls Cave
A tense and spooky scene is evoked with orchestra and an optional piano track. Creepy and evolving, suitable for dark, evil passages.
|Track ID number:||15825|
|Genres:||Film & Soundtrack: Dark Ambient, Drones, Brooding, Ominous -- Film & Soundtrack: Danger, Tension, Threatening, Action pending underscores|
|Moods/Emotions:||Menacing / Dangerous / Threatening -- Gloomy / Dark / Sinister -- Mysterious / Mystical / Secretive|
|Suggested Production Types:||Horror / Thriller -- Mystery / Suspense|
|Prominent Instruments:||Ethereal Pads / Soundscapes -- Piano (Acoustic) -- String Section|
|Tempo feel:||Very slow -- Slow|
|Tempo Beats Per Minute:|
|Composer:||Trad./Arr: Edward Jonathan Blakeley (PRS - 50%) and Garry Peter Blakeley (PRS - 50%)|
|Publisher:||Lynne Publishing (PRS - CAE#: 541626758)|
|SRCO (Sound Recording Copyright Owner):||Trad./Arr: Edward Jonathan Blakeley and Garry Peter Blakeley|
|PRO / Non-PRO Track?||PRO (What's this?)|
|WAV file bit depth:||HD / 24-Bit (What's this?)|
|Stem files available for this track:||No|
|Album containing this track:||(None)|
Born in 1989 in the small town of Hastings in Sussex UK, Leeds University graduate composer and producer Edward Blakeley’s list of achievements reads like a music veteran’s twice his age.
By the age of 18, having already established a foothold in the local music scene, the self-taught multi-instrumentalist, composer, orchestrator, performer and producer founded Sonic Avenue Studios, renting a small commercial unit in nearby Bexhill-on-sea. Gaining experience as not only a studio engineer but also a manager, financier, and businessman the entrepreneur went on to work with Brit Award winning Blair MacKichan (Will Young, Olly Murs, Lily Allan) in both live and studio capacities, and multi-award winning, BAFTA/IVOR NOVELLO nominated composer Richard Jacques (James Bond: Bloodstone, Mass Effect, Little Big Planet 2) working as an assistant and aide, quickly becoming an apprentice composer.
With airtime on BBC Radio 2 at the age of just 20, the young prodigy’s career looks firmly positive ahead, and his compositional and orchestrative techniques have won him composition and sound design roles for feature-length films and multiple animations and video games.