Stock Music track: The Gold Ring - The Kid On The Mountain

A set of Irish jigs arranged for fiddle and guitar, with contemporary and fusion influences. Lively, full of energy, and authentic. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.

Shockwave-Sound.com T15823 32.95 32.95

Track details

Track ID number: 15823
Genres: World: Celtic, Irish music
Moods/Emotions: Excited / Enthusiastic / Energetic -- Busy / Active / Bustling -- Exotic / Tribal / Primal
Suggested Production Types: Documentary / Culture / Art -- Historical: Older History / Ancient -- Party / Dancing / Fun times -- Vacation / Travel / Discovery
Prominent Instruments: Guitar (Acoustic) -- Violin / Viola / Fiddle
Tempo feel: Fast
Tempo Beats Per Minute: 120
Artist: Edward Blakeley
Composer: Trad./Arr: Edward Jonathan Blakeley (PRS - 50%) and Garry Peter Blakeley (PRS - 50%)
Publisher: Lynne Publishing (PRS - CAE#: 541626758)
SRCO (Sound Recording Copyright Owner): Trad./Arr: Edward Jonathan Blakeley and Garry Peter Blakeley
PRO / Non-PRO Track? PRO (What's this?)
WAV file bit depth: HD / 24-Bit (What's this?)
Stem files available for this track: No
Album containing this track: (None)
About the Artist
Edward Blakeley Edward Blakeley

Born in 1989 in the small town of Hastings in Sussex UK, Leeds University graduate composer and producer Edward Blakeley’s list of achievements reads like a music veteran’s twice his age.

By the age of 18, having already established a foothold in the local music scene, the self-taught multi-instrumentalist, composer, orchestrator, performer and producer founded Sonic Avenue Studios, renting a small commercial unit in nearby Bexhill-on-sea. Gaining experience as not only a studio engineer but also a manager, financier, and businessman the entrepreneur went on to work with Brit Award winning Blair MacKichan (Will Young, Olly Murs, Lily Allan) in both live and studio capacities, and multi-award winning, BAFTA/IVOR NOVELLO nominated composer Richard Jacques (James Bond: Bloodstone, Mass Effect, Little Big Planet 2) working as an assistant and aide, quickly becoming an apprentice composer.

With airtime on BBC Radio 2 at the age of just 20, the young prodigy’s career looks firmly positive ahead, and his compositional and orchestrative techniques have won him composition and sound design roles for feature-length films and multiple animations and video games.