Stock Music track: Celtic Fiddle - The Swaggering Jig - Drops of Brandy
A set of Irish jigs on solo fiddle. Lively and authentic. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
|Track ID number:||15820|
|Genres:||World: Celtic, Irish music|
|Moods/Emotions:||Busy / Active / Bustling -- Happy / Joyful / Positive -- Exotic / Tribal / Primal|
|Suggested Production Types:||Documentary / Culture / Art -- Historical: Older History / Ancient -- Vacation / Travel / Discovery|
|Prominent Instruments:||Violin / Viola / Fiddle|
|Tempo Beats Per Minute:||120|
|Composer:||Trad./Arr: Garry Peter Blakeley (PRS - CAE#: 087628238)|
|Publisher:||Lynne Publishing (PRS - CAE#: 541626758)|
|SRCO (Sound Recording Copyright Owner):||Trad./Arr: Garry Peter Blakeley|
|PRO / Non-PRO Track?||PRO (What's this?)|
|WAV file bit depth:||HD / 24-Bit (What's this?)|
|Stem files available for this track:||No|
|Album containing this track:||(None)|
Born in 1989 in the small town of Hastings in Sussex UK, Leeds University graduate composer and producer Edward Blakeley’s list of achievements reads like a music veteran’s twice his age.
By the age of 18, having already established a foothold in the local music scene, the self-taught multi-instrumentalist, composer, orchestrator, performer and producer founded Sonic Avenue Studios, renting a small commercial unit in nearby Bexhill-on-sea. Gaining experience as not only a studio engineer but also a manager, financier, and businessman the entrepreneur went on to work with Brit Award winning Blair MacKichan (Will Young, Olly Murs, Lily Allan) in both live and studio capacities, and multi-award winning, BAFTA/IVOR NOVELLO nominated composer Richard Jacques (James Bond: Bloodstone, Mass Effect, Little Big Planet 2) working as an assistant and aide, quickly becoming an apprentice composer.
With airtime on BBC Radio 2 at the age of just 20, the young prodigy’s career looks firmly positive ahead, and his compositional and orchestrative techniques have won him composition and sound design roles for feature-length films and multiple animations and video games.