Got it!

We use cookies to ensure you get the best experience on our website. View our cookie policy

Stock Music track: Better Run

Driving punk rock tune, with lots of attitude and character. Lust for life type of drums and cool distorted bass and guitars. Edgy and rowdy.

Shockwave-Sound.com T15148 10.95 74.95

Track details

Track ID number: 15148
CD-collection containing this track: (None)
Genres: Rock: Punk-Rock / Indie-Rock -- Rock: Surf Rock / Tarantino-esque
Moods/Emotions: Ironic / Spiteful / Bad Attitude -- Strong / Confident / Tough -- Chaotic / Uncontrolled / Wild
Suggested Production Types: Historical / Retro: 1970's -- Men / Motors / Guys stuff -- Sports / Motorsports
Prominent Instruments: Bass (Electric) -- Drums (Drum Kit) -- Guitar (Electric)
Tempo feel: Fast
Tempo Beats Per Minute: 190
Artist: Felipe Adorno Vassao
Composer: Felipe Adorno Vassao (ABRAMUS - CAE#: 554403564)
Publisher: Lynne Publishing (PRS - CAE#: 541626758)
PRO / Non-PRO Track? PRO (What's this?)
WAV file bit depth: HD / 24-Bit and CD-quality / 16-bit (What's this?)
About the Artist
Felipe Adorno Vassao Felipe Adorno Vassao

Felipe Adorno Vassao is a composer, performer and producer working out of his professional studio setup in São Paulo, Brazil. He produces tracks exclusively for the Lynne Publishing / Shockwave-Sound.com music library, he is a multi instrumentalist and even a vocalist on occasion - and he likes to cover a variety of styles and genres.

Felipe has composed music for advertising for several brands, including Audi, C&A, Danone, Everlast, Fiat, Ford, General Motors, Hertz, HP, InBev, KIA, LG, L'oreal, McDonald's, Nestlé, Pepsico, Procter&Gamble, Renault, Sprite, Unilever and Volkswagen.

At the time of writing, Felipe's latest major work was as a composer and producer on the Brazilian rapper Emicida's latest album "O Glorioso Retorno de Quem Nunca Esteve Aqui", which was awarded Album of the Year by several music critics.

Said Felipe: "Working with advertising music since early 90s I've honed my skills in a variety of genres. And writing production music has become a "playground" in which I can experiment, have fun and challenge myself in telling a different story each time."