A spacey and futuristic sounding ambient track with a prominent beat. Smooth and subtle but with a good momentum and plenty of emotion and feel. The "No Drums" version is a nice Ambient Space / Scifi / New Age track.
|Track ID number:||14646|
|Genres:||Chill-Out Grooves / Lounge -- Electronic music: Drum'n Bass / UK Bass / Future Bass|
|Moods/Emotions:||Amazement / Wonderment / Awe -- Angelic / Heavenly / Delightful -- Floating / Ethereal / Dreamy -- Mechanical / Robotic / Machine like|
|Suggested Production Types:||Sci-Fi / Space / Future -- Technology / Hi-tech / Industry|
|Prominent Instruments:||Drum machine / Electronic drums -- Ethereal Pads / Soundscapes -- Synth Pads|
|Tempo feel:||Medium -- Fast|
|Tempo Beats Per Minute:||80|
|Composer:||Edward Blakeley (PRS - CAE#: 629373034)|
|Publisher:||Lynne Publishing (PRS - CAE#: 541626758)|
|PRO / Non-PRO Track?||PRO (What's this?)|
|WAV file bit depth:||HD / 24-Bit and CD-quality / 16-bit (What's this?)|
|CD-collection containing this track:||(None)|
Born in 1989 in the small town of Hastings in Sussex UK, Leeds University graduate composer and producer Edward Blakeley’s list of achievements reads like a music veteran’s twice his age.
By the age of 18, having already established a foothold in the local music scene, the self-taught multi-instrumentalist, composer, orchestrator, performer and producer founded Sonic Avenue Studios, renting a small commercial unit in nearby Bexhill-on-sea. Gaining experience as not only a studio engineer but also a manager, financier, and businessman the entrepreneur went on to work with Brit Award winning Blair MacKichan (Will Young, Olly Murs, Lily Allan) in both live and studio capacities, and multi-award winning, BAFTA/IVOR NOVELLO nominated composer Richard Jacques (James Bond: Bloodstone, Mass Effect, Little Big Planet 2) working as an assistant and aide, quickly becoming an apprentice composer.
With airtime on BBC Radio 2 at the age of just 20, the young prodigy’s career looks firmly positive ahead, and his compositional and orchestrative techniques have won him composition and sound design roles for feature-length films and multiple animations and video games.