Stock Music track: Soft Techno Pulse
A mid-tempo pulsing groove that's catchy yet unobtrusive. Feels like high quality, and at the same time is evocative of ideas like the future and technological advancement.
|Track ID number:||13895|
|CD-collection containing this track:||(None)|
|Genres:||Electronic music: Techno / Trance / Club / House / Dance -- Pop: Electro-Pop -- Mid-tempo background Tracks|
|Moods/Emotions:||Amazement / Wonderment / Awe -- Busy / Active / Bustling -- Cool / Funky / Strutting -- Mechanical / Robotic / Machine like|
|Suggested Production Types:||Action / Chase -- Sports / Motorsports -- Technology / Hi-tech / Industry|
|Prominent Instruments:||Drum machine / Electronic drums -- Synth Pads -- Synthesizers|
|Tempo feel:||Medium -- Fast|
|Tempo Beats Per Minute:||120|
|Composer:||Edward Blakeley (PRS - CAE#: 629373034)|
|Publisher:||Lynne Publishing (PRS - CAE#: 541626758)|
|PRO / Non-PRO Track?||PRO (What's this?)|
|WAV file bit depth:||HD / 24-Bit and CD-quality / 16-bit (What's this?)|
Born in 1989 in the small town of Hastings in Sussex UK, Leeds University graduate composer and producer Edward Blakeley’s list of achievements reads like a music veteran’s twice his age.
By the age of 18, having already established a foothold in the local music scene, the self-taught multi-instrumentalist, composer, orchestrator, performer and producer founded Sonic Avenue Studios, renting a small commercial unit in nearby Bexhill-on-sea. Gaining experience as not only a studio engineer but also a manager, financier, and businessman the entrepreneur went on to work with Brit Award winning Blair MacKichan (Will Young, Olly Murs, Lily Allan) in both live and studio capacities, and multi-award winning, BAFTA/IVOR NOVELLO nominated composer Richard Jacques (James Bond: Bloodstone, Mass Effect, Little Big Planet 2) working as an assistant and aide, quickly becoming an apprentice composer.
With airtime on BBC Radio 2 at the age of just 20, the young prodigy’s career looks firmly positive ahead, and his compositional and orchestrative techniques have won him composition and sound design roles for feature-length films and multiple animations and video games.