The Elevator Under the Sea
A jolly, chilled, laid-back and humorous ukelele lead tune perfectly suited for an underscore or background music role, or in scenes involving a sense of comedic irony. A little Spongebob Square Pants under the sea.
|Track ID number:||13541|
|Genres:||Film & Soundtrack: Happy, Playful, Lighthearted, Whimsical cinematic music -- Comedy music - Light & Quirky -- Specialty, Novelty, Sound-Alike|
|Moods/Emotions:||Happy / Joyful / Positive -- Laid back / Easy-going / Chilled -- Sweet / Pretty / Adorable / Innocent|
|Suggested Production Types:||Children / Toddlers / Babies -- Comedy / Sitcom / Dramedy -- Historical / Retro: 1960's -- Historical / Retro: 1950's -- TV Commercial - Quirky / Fun -- Underwater / Deep Sea|
|Prominent Instruments:||Bass (Upright/Acoustic) -- Bells / Glockenspiel / Celeste -- Ukulele|
|Tempo feel:||Slow -- Medium|
|Tempo Beats Per Minute:||132|
|Composer:||Edward Blakeley (PRS - CAE#: 629373034)|
|Publisher:||Lynne Publishing (PRS - CAE#: 541626758)|
|PRO / Non-PRO Track?||PRO (What's this?)|
|WAV file bit depth:||HD / 24-Bit and CD-quality / 16-bit (What's this?)|
|CD-collection containing this track:||(None)|
Born in 1989 in the small town of Hastings in Sussex UK, Leeds University graduate composer and producer Edward Blakeley’s list of achievements reads like a music veteran’s twice his age.
By the age of 18, having already established a foothold in the local music scene, the self-taught multi-instrumentalist, composer, orchestrator, performer and producer founded Sonic Avenue Studios, renting a small commercial unit in nearby Bexhill-on-sea. Gaining experience as not only a studio engineer but also a manager, financier, and businessman the entrepreneur went on to work with Brit Award winning Blair MacKichan (Will Young, Olly Murs, Lily Allan) in both live and studio capacities, and multi-award winning, BAFTA/IVOR NOVELLO nominated composer Richard Jacques (James Bond: Bloodstone, Mass Effect, Little Big Planet 2) working as an assistant and aide, quickly becoming an apprentice composer.
With airtime on BBC Radio 2 at the age of just 20, the young prodigy’s career looks firmly positive ahead, and his compositional and orchestrative techniques have won him composition and sound design roles for feature-length films and multiple animations and video games.