Royalty Free Music track: Offenbach Galop infernal (Can-Can) from Orpheus in the Underworld

Jacques Offenbach: Orpheus in the Underworld (Orphée aux enfers), IJO 60, Act 2, Scene 2: Infernal Galop ("Can-Can") in D major. Music performed and recorded exclusively for Lynne Publishing. T23429 32.95 32.95

Track details

Track ID number: 23429
Genres: Offenbach
Moods/Emotions: Excited / Enthusiastic / Energetic -- Happy / Joyful / Positive -- Funny / Playful / Whimsical / Comical
Suggested Production Types: Comedy / Sitcom / Dramedy -- Documentary / Culture / Art -- Family / Light Entertainment -- Historical: Older History / Ancient -- TV Commercial - Quirky / Fun
Prominent Instruments: Full orchestra
Tempo feel: Fast
Tempo Beats Per Minute:
Artist: Offenbach, Jacques -- Shockwave-Sound Royalty Free
Composer: Jacques Offenbach
Publisher: Lynne Publishing (Track not PRO-registered)
SRCO (Sound Recording Copyright Owner): Lynne Publishing AS
PRO / Non-PRO Track? Non PRO (What's this?)
WAV file bit depth: HD / 24-Bit (What's this?)
Stem files available for this track: No
Album containing this track:  Classical Favorites, Vol. 12 Picture Music collection: Classical Favorites, Vol. 12
10 tracks
About the Artist
Offenbach, Jacques Offenbach, Jacques

Jacques Offenbach
June 20, 1819 – October 5, 1880

Jacques Offenbach was born in Germany, and had his first exposure to classical music through violin lessons. His talent began to shine as early as six, and by nine he switched instrumentation to the cello. At 12 he was performing, and shortly thereafter his family sent him to Paris to study at the Conservatoire.

Offenbach fared poorly there, and lacked funds, so he dropped out. He began performing professionally, and met with success. He found his compositional skills lacking, and studied with Halevy, who brought his talents up to scratch. He renewed his attempts, and continued performing. Shortly thereafter he was hired as the conductor at the Theatre Francais, and it was at this time he began to compose prolifically. His pieces took burlesque opera and added a layer of sophistication to it that the public enjoyed. He became a master of this method, and his fame was assured.

His influence on classical music lies chiefly in his operettas, which experienced much success from 1858 onwards. His work The Tales of Hoffmann, was published after his death, and remains his most popular accomplishment.

Notable works:
Orpheus in the Underworld
La Vie Parisienne
The Tales of Hoffmann

About the Artist
Shockwave-Sound Royalty Free Shockwave-Sound Royalty Free

The sounds and music released under the label were created by in-house staff at Shockwave-Sound.Com including Ric Viers, Bjorn Lynne, Christos Panayides and others. The sounds are copyrighted to Lynne Publishing, which is the company that owns and all its properties. Any music published under this name is entirely royalty-free and free of any performing royalties collection society.