Mouret Fanfares Suite 1 Movement 1 Rondeau in D Major for String Quintet
Jean-Joseph Mouret - Fanfares Suite 1. Fanfares pour des Trompettes, Timbales, Violons et Hautbois. Première Suitte, Rondeau in D Major. Also often referred to simply as the "Rondeau by Mouret" or the "Mouret Rondo". 100% live string quintet performance - no computers, no samples. Arranged and recorded exclusively for Lynne Publishing.
|Track ID number:||20767|
|Moods/Emotions:||Happy / Joyful / Positive -- Celebratory / Triumphant / Successful -- Angelic / Heavenly / Delightful -- Heroic / Patriotic / Valiant -- Classy / Elegant / Exclusive|
|Suggested Production Types:||Documentary / Culture / Art -- Historical: Older History / Ancient -- Wedding Ceremony / Reception|
|Prominent Instruments:||String Section|
|Tempo feel:||Medium -- Fast|
|Tempo Beats Per Minute:|
|Artist:||Allegro String Ensemble -- Mouret, Jean-Joseph|
|Publisher:||Lynne Publishing (Track not PRO registered)|
|PRO / Non-PRO Track?||Non PRO (What's this?)|
|WAV file bit depth:||HD / 24-Bit and CD-quality / 16-bit (What's this?)|
|Stem files available for this track:||No|
|CD-collection containing this track:|| Music collection: Classical Chamber Strings, Vol. 1 |
Allegro String Ensemble is a chamber string orchestra from California, sometimes appearing as a string quartet and sometimes as a string quintet, recording favorite classical masterpieces exclusively for Lynne Publishing. All performances are 100% live, without the use of computers or electronics, and all recordings are live-in-studio single-take direct recordings.
April 11, 1682 - December 22, 1738
Baroque music’s strongest proponent in France was arguably composer Jean-Joseph Mouret. His life followed an arc that encompassed both triumphs and tragedies.
Mouret’s skills were noticed early by his father, himself an avid violinist. He ensured that his son studied music, and ushered him into a musical career. Mouret’s expertise first revealed itself through his singing. Before long he was in Paris, and led various posts, including one at the court of Sceaux. He wrote most of his material during this period. It was his voluminous Grandes nuits at Sceaux that brought him attention.
An opera-ballet, Les fetes, followed, and was staged at the Paris Opera. The
story diverted from tragedies typically enjoyed there, and instead directly addressed contemporary figures. It was a scandal, however Mouret thankfully did not take the fall. Surprisingly, a revised version become popular at a later time.
He continued writing, and included other styles, such as ballets and tragedies. He accepted a position at the Concert Spirituel, which fell under financial difficulty, and brought Mouret’s fortunes down with it. His post at Sceaux also vanished, leaving Mouret broke. The effect drove him mad, found himself in a sanatorium shortly after he turned 50, and died not long thereafter.