scores to engage the audience and help express a wide range of emotions. But synthesisers and computer based music can offer an entirely new experience and enhance the
film in many unpredictable ways. So here’s a list of 10 great movies with 10
great electronic music scores to add to your ultimate movie soundtrack
10. Run Lola Run (1998)
running, sprinting and jogging across Berlin in pursuit of a huge stash of
cash. The accompanying soundtrack drive’s the action forward with a wide range
of acid beats, spikey synths and squelchy basslines. The Techno soundtrack was
composed by the film’s director, Tom Tykwer. With more than a little help from
Johnny Klimek and ’99 Red Balloons’ producer,
9. The Social Network (2010)
is underscored by music from Atticus Ross and Nine Inch Nail’s Trent Reznor.
The beautifully dark, post industrial electronica earned Reznor and Ross an
Oscar for Best Original Soundtrack of 2010.
8. Beverley Hills Cop (1984)
although far easier to play.
It chattered away behind Eddie Murphy’s Axel Foley as he attempts to track down
the killer of his childhood pal, Mikey Tandino. The soundtrack to this comedy
cop thriller opened the gates for a slew of music scores featuring contemporary
80’s instruments like the Yamaha DX7 and Roland Jupiter 8. All driven along by
the robotic rhythms of classic Linn drum machine.
7. Forbidden Planet (1956)
use of the term ‘music’ in the credits. Instead Bebe and Louis Barron’s ring
modulated warblings were referred to as ‘electronic tonalities’. As neither of
the avant-garde experimentalists were members of the Musician’s Union, this
term avoided any union payments for the studio. But it also meant that this
innovative soundtrack could never be nominated for an Academy Award. However, Forbidden
Planet’s soundtrack is a rare gem and still perhaps the most unique sci-fi score
6. Chariots of Fire (1981)
them is being wasted.”
Perhaps that explains the success of Chariots of Fire’s synth heavy electronic
score. The melancholic melody line of the main theme is the polar opposite of
the extreme excursion felt by the athletes on screen. Yet it somehow works
perfectly with the visuals. Helped by the use of slow motion to stretch out the
agony just a little further!
Of course, there were no synthesisers
around in 1924. So it was a bold decision to use electronic pioneer Vangelis as
the film’s composer. But it paid off big time, winning the film an Oscar for
Best Original Score of 1981.
5. Midnight Express (1978)
was a prison movie to beat all prison movies called ‘Midnight Express’. The
harrowing story of Billy Hayes. An American student who attempted to smuggle
2kg of hashish out of Turkey and ended up spending 5 long years incarcerated in
a Turkish prison-from-Hell.
producer Giorgio Moroder to compose something along the lines of his recent
smash hit with Donna Summer, I Feel Love. The result is a dark, incessant
arpeggiated score that coils and slithers its way through the film like an
angry snake. The Chase theme became a disco hit in its own right and earnt
Moroder an Academy Award for Best Original Score of 1979.
4. Gone Girl (2014)
director, David Fincher and composers, Atticus Ross and Trent Reznor (the previous two being ‘The Girl With The
Dragon Tatoo’ and the afore mentioned ‘The Social Network’).
Filcher’s vision for the music was to recreate an emotion he had felt after
hearing muzak played at a recent chiropractor session. He described what he
heard as ‘inauthentic’. A soothing, reassuring soundscape that in fact had quite
the opposite effect. Leaving him feeling anxious and ill at ease.
The result was a soundtrack that included washes of beautiful tones and colours
indispersed with spikey incongruous electronic noises and discordant notes. Unsettling
to say the least, and another triumph for the pioneering composing team of Ross
3. A Clockwork Orange (1971)
mention because of its hugely influential role in the history of movie scores. Recorded
in real time (there were no sequencers back then) on a bank of modular Moog
synthesisers, these haunting renditions of well known classical pieces took on
a maniacal life of their own as they resonated in the disturbed mind of
protagonist Alex DeLarge, head of the Droogs played by Malcolm McDowell.
Composer Walter Carlos (who later became Wendy Carlos) came to the attention of
the film’s director Stanley Kubrick after releasing an album of speeded up
electronic chamber music called Switched On Bach in 1968. After contributing to
the Clockwork Orange soundtrack, Carlos went on to record the score for the
Disney film Tron in 1982.
2. Assault on Precinct 13 (1976)
the master of them all, John Carpenter. His mid 70’s film soundtracks
terraformed the entire film music landscape and were a huge influence, not only
on movie soundtracks, but other genres too, like Synth Pop, the New Romantics
and Post Punk.
As a director, he’s quoted as saying that the only reason he composed for his
own films is because he was fast and cheap. But the reality is way beyond that.
His stark synth driven instrumentals locked with the visuals in a unique
tensile alliance. A bond that became so strong that you couldn’t imagine one
without the other.
Christine, The Fog, Escape From New York, Halloween. Any one of these films
could have appeared on the list. But ‘Assault’s insidious five note bassline
has a way of getting inside your psyche. And just like the Street Thunder Gang.
Once it’s broken in, it’s difficult to shift.
1. Blade Runner (1982)
it has become since. It under performed in the US with critics calling it
‘plodding’ and lacking in pace. However, it has since become a cult classic and
is was selected for preservation by the National Film Registry and heralded as
being ‘culturally, historically and aesthetically significant.’ It is now
regarded by critics (probably the same critics that earlier panned it) as being
one of the best science fiction films ever made.
A large part of the success of Blade Runner can be attributed to its
soundtrack. A glorious sweeping synthesised wash created and composed by Greek
composer Evangelos Odysseas
Papathanassiou. Better known to fans as Vangelis.
Vangelis began his career as a working musician in a covers band, moving on to
become a member of the prog rock outfit Aphrodite’s Child. As side
projects he began composing film scores, later setting up a studio in London
dedicated to his solo album work and a steady stream of movie soundtracks. This
brought him to the attention of high profile film directors and in particular,
David Puttman and Hugh Hudson who were making a film called Chariots of Fire.
An Academy Award followed and the following year he collaborated with Ridley
Scott on the music for Blade Runner.
The score is noted for capturing the isolation felt by replicant Rick Deckard
(played by Harrison Ford) as he scours the dystopian landscape in search of Roy
Batty (Rutger Hauer). A replicant who has escaped to Earth in an attempt to
extend his life cycle and elude his ultimate fate of being ‘retired’.
After the release of the film, a disagreement led to Vangelis withholding permission
for his performance of the music being released. The studio instead hired a
group of musicians dubbed The New American Orchestra to record the official
album release. It took 12 years before the disagreement was resolved. The
composer’s own work was released in 1994.
As with all the movies on the list, it’s important that a composer has an
affinity with the narrative and subject matter of the film. Vangelis’s love of
sci-fi is evident in his score for Blade Runner. He is quoted as saying,
“mythology, science and space exploration are subjects that have
fascinated me since my early childhood. And they were always connected somehow
with the music I write.”
His Blade Runner soundtrack is still seen by many to be one of his greatest
Other films with electronic soundtracks include:
Escape From New York (1981)
The Birds (1963)
Friday The 13th (1980)
Requiem For A Dream (2000)
Do you have any favourite Electronic film scores? Use the “Comments” field to discuss. Thanks!