Stock Music track: Mambo No 24

Upbeat, energetic Latin salsa with a retro feel. Great vibe for classic mambo and salsa dancing. Full Latin orchestra and jazz crooner. Fun lyrics with a "Papa Love Mambo" influence.

Shockwave-Sound.com T22483 22.95 59.95

Track details

Track ID number: 22483
Genres: Vocal Jazz music - royalty free jazz with vocals -- Jazz: Bossa Nova / Latin Jazz
Moods/Emotions: Happy / Joyful / Positive -- Celebratory / Triumphant / Successful -- Exotic / Tribal / Primal
Suggested Production Types: Lounge / Cafe / Lobby / Bar -- Party / Dancing / Fun times -- Vacation / Travel / Discovery
Prominent Instruments: Bass (Upright/Acoustic) -- Brass section / Horns -- Ethnic percussion / Tribal drums -- Piano (Acoustic) -- Vocals (Male) / Singing with Lyrics
Keywords / Hints: Perry Como, Frank Sinatra, Marc Anthony, Julio Iglesias, latin, salsa, mambo, jazz, tropical, Puerto Rico, Cuba, New York, Mexico, South America, fun, upbeat, energetic, dance, retro, classic, crooner, kitschy, clever, smooth, cheerful, friendly, love, margarita, drinks, lounge
Tempo feel: Medium
Tempo Beats Per Minute: 163
Artist: Buddy Moncrief
Composer: Buddy Moncrief (BMI)
Publisher: Lynne Publishing (PRS)
SRCO (Sound Recording Copyright Owner): Buddy Moncrief
PRO / Non-PRO Track? PRO (What's this?)
WAV file bit depth: HD / 24-Bit (What's this?)
Stem files available for this track: No
Album containing this track: (None)
About the Artist
Buddy Moncrief Buddy Moncrief

Somewhere out on New Route 66, about 50 miles west of Sinatra and 75 miles east of Tom Waits, Swanson struts his swingin' and singin'. He loves Dave Frishberg songs and Johnny Walker in a tumbler. He'd like to hear Kurt Elling cover Stone Temple Pilots. Lonnie Johnson is God.

On his latest full-length release "We Can't Party Like We Used To" (2009 Acoustic SwaneeLand), Swanson pounds out 12 original vocal jazz cuts with a cool retro vibe. His bluesy vocals and tasty guitar licks remind of crooners past and present - Sinatra, Cole, John Pizzarelli come to mind - but his clever songwriting has a leaner, edgier feel to it that puts him squarely in the current century.