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Stock Music track: Starsky And Such

Typical seventies Blaxploitation tune or Cop Show theme. Think Starsky and Hutch, Shaft or Superfly. Funky wah guitars, lots of percussion and an epic soul brass finale.

Shockwave-Sound.com T19241 10.95 69.95

Track details

Track ID number: 19241
CD-collection containing this track: (None)
Genres: Urban styles: Funk -- Specialty, Novelty, Sound-Alike
Moods/Emotions: Menacing / Dangerous / Threatening -- Gloomy / Dark / Sinister -- Cool / Funky / Strutting -- Mysterious / Mystical / Secretive
Suggested Production Types: Crime / Criminals / Bad-asses -- Historical / Retro: 1970's -- TV Commercial - Quirky / Fun
Prominent Instruments: Brass section / Horns -- Drums (Drum Kit) -- Ethnic percussion / Tribal drums -- Guitar (Electric) -- Piano (Electric) / Clav
Tempo feel: Medium
Tempo Beats Per Minute: 92
Artist: Felipe Adorno Vassao
Composer: Felipe Adorno Vassao (ABRAMUS - CAE#: 554403564)
Publisher: Lynne Publishing (PRS - CAE#: 541626758)
PRO / Non-PRO Track? PRO (What's this?)
WAV file bit depth: HD / 24-Bit and CD-quality / 16-bit (What's this?)
About the Artist
Felipe Adorno Vassao Felipe Adorno Vassao

Felipe Adorno Vassao is a composer, performer and producer working out of his professional studio setup in São Paulo, Brazil. He produces tracks exclusively for the Lynne Publishing / Shockwave-Sound.com music library, he is a multi instrumentalist and even a vocalist on occasion - and he likes to cover a variety of styles and genres.

Felipe has composed music for advertising for several brands, including Audi, C&A, Danone, Everlast, Fiat, Ford, General Motors, Hertz, HP, InBev, KIA, LG, L'oreal, McDonald's, Nestlé, Pepsico, Procter&Gamble, Renault, Sprite, Unilever and Volkswagen.

At the time of writing, Felipe's latest major work was as a composer and producer on the Brazilian rapper Emicida's latest album "O Glorioso Retorno de Quem Nunca Esteve Aqui", which was awarded Album of the Year by several music critics.

Said Felipe: "Working with advertising music since early 90s I've honed my skills in a variety of genres. And writing production music has become a "playground" in which I can experiment, have fun and challenge myself in telling a different story each time."