Orchestral rap / hip-hop instrumental with a strong and powerful cinematic vibe. Piano, strings and orchestral percussion elements over a driving hip hop beat. Think New York City skyline, or a fly by a huge city at night.
|Track ID number:||18056|
|Genres:||Urban styles: Hip Hop / Trap|
|Moods/Emotions:||Strong / Confident / Tough -- Menacing / Dangerous / Threatening -- Gloomy / Dark / Sinister|
|Suggested Production Types:||Crime / Criminals / Bad-asses -- TV Commercial - Macho / Rough -- Urban Culture / Youth Subculture|
|Prominent Instruments:||Brass section / Horns -- Drum machine / Electronic drums -- Piano (Acoustic) -- String Section -- Synthesizers|
|Tempo feel:||Slow -- Medium|
|Tempo Beats Per Minute:||91|
|Artist:||Felipe Adorno Vassao|
|Composer:||Felipe Adorno Vassao (ABRAMUS - CAE#: 554403564)|
|Publisher:||Lynne Publishing (PRS - CAE#: 541626758)|
|SRCO (Sound Recording Copyright Owner):||Lynne Publishing AS|
|PRO / Non-PRO Track?||PRO (What's this?)|
|WAV file bit depth:||HD / 24-Bit (What's this?)|
|Stem files available for this track:||No|
|Album containing this track:|| Music collection: Hip Hop Beatz, Vol. 7 |
Felipe Adorno Vassao is a composer, performer and producer working out of his professional studio setup in São Paulo, Brazil. He produces tracks exclusively for the Lynne Publishing / Shockwave-Sound.com music library, he is a multi instrumentalist and even a vocalist on occasion - and he likes to cover a variety of styles and genres.
Felipe has composed music for advertising for several brands, including Audi, C&A, Danone, Everlast, Fiat, Ford, General Motors, Hertz, HP, InBev, KIA, LG, L'oreal, McDonald's, Nestlé, Pepsico, Procter&Gamble, Renault, Sprite, Unilever and Volkswagen.
At the time of writing, Felipe's latest major work was as a composer and producer on the Brazilian rapper Emicida's latest album "O Glorioso Retorno de Quem Nunca Esteve Aqui", which was awarded Album of the Year by several music critics.
Said Felipe: "Working with advertising music since early 90s I've honed my skills in a variety of genres. And writing production music has become a "playground" in which I can experiment, have fun and challenge myself in telling a different story each time."