Got To Do It Like This
808 bass drum, nasty synth bass and the typical hey hey sample found on several southern hip hop beats. This track has a fresh pop vibe similar to Iggy Azalea and current R&B and Pop songs. There is a build up similar to the Harlem Shake, with a processed vocal punch line.
|Track ID number:||16435|
|Genres:||Urban styles: Hip Hop / Trap|
|Moods/Emotions:||Cool / Funky / Strutting -- Trippy / Psychedelic / Hypnotic|
|Suggested Production Types:||Crime / Criminals / Bad-asses -- Urban Culture / Youth Subculture|
|Prominent Instruments:||Bass (Electric) -- Drum machine / Electronic drums -- Synthesizers -- Voice as instrument / No Lyrics|
|Tempo feel:||Very slow -- Slow|
|Tempo Beats Per Minute:||88|
|Artist:||Felipe Adorno Vassao|
|Composer:||Felipe Adorno Vassao (ABRAMUS - CAE#: 554403564)|
|Publisher:||Lynne Publishing (PRS - CAE#: 541626758)|
|PRO / Non-PRO Track?||PRO (What's this?)|
|WAV file bit depth:||HD / 24-Bit and CD-quality / 16-bit (What's this?)|
|Stem files available for this track:||No|
|CD-collection containing this track:|| Music collection: Hip Hop Beatz, Vol. 6 |
Felipe Adorno Vassao is a composer, performer and producer working out of his professional studio setup in São Paulo, Brazil. He produces tracks exclusively for the Lynne Publishing / Shockwave-Sound.com music library, he is a multi instrumentalist and even a vocalist on occasion - and he likes to cover a variety of styles and genres.
Felipe has composed music for advertising for several brands, including Audi, C&A, Danone, Everlast, Fiat, Ford, General Motors, Hertz, HP, InBev, KIA, LG, L'oreal, McDonald's, Nestlé, Pepsico, Procter&Gamble, Renault, Sprite, Unilever and Volkswagen.
At the time of writing, Felipe's latest major work was as a composer and producer on the Brazilian rapper Emicida's latest album "O Glorioso Retorno de Quem Nunca Esteve Aqui", which was awarded Album of the Year by several music critics.
Said Felipe: "Working with advertising music since early 90s I've honed my skills in a variety of genres. And writing production music has become a "playground" in which I can experiment, have fun and challenge myself in telling a different story each time."