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Stock Music track: Shades of Grey

Piano, Soundtrack, Pensive, Indie Drama. Delicate yet disturbed solo piano piece, with some dreamy textural elements. Dramatic and self-contained, personal and intimate suffering.

Shockwave-Sound.com T15153 37.95 37.95

Track details

Track ID number: 15153
CD-collection containing this track: Music collection: Emotional Underscores Vol. 15
Genres: Film & Soundtrack: Sad, Sorrowful, Wistful, Regretful underscores -- Film & Soundtrack: Introspective, Thoughtful, Reflective underscores -- Film & Soundtrack: Tender, Touching, Romantic underscores -- World: France / Paris / French music
Moods/Emotions: Sad / Sorrowful / Mournful -- Melancholic / Nostalgic / Wistful -- Reflective / Thoughtful / Introspective
Suggested Production Types: Drama / Personal stories
Prominent Instruments: Piano (Acoustic)
Tempo feel: Slow
Tempo Beats Per Minute:
Artist: Felipe Adorno Vassao
Composer: Felipe Adorno Vassao (ABRAMUS - CAE#: 554403564)
Publisher: Lynne Publishing (PRS - CAE#: 541626758)
PRO / Non-PRO Track? PRO (What's this?)
WAV file bit depth: HD / 24-Bit and CD-quality / 16-bit (What's this?)
About the Artist
Felipe Adorno Vassao Felipe Adorno Vassao

Felipe Adorno Vassao is a composer, performer and producer working out of his professional studio setup in São Paulo, Brazil. He produces tracks exclusively for the Lynne Publishing / Shockwave-Sound.com music library, he is a multi instrumentalist and even a vocalist on occasion - and he likes to cover a variety of styles and genres.

Felipe has composed music for advertising for several brands, including Audi, C&A, Danone, Everlast, Fiat, Ford, General Motors, Hertz, HP, InBev, KIA, LG, L'oreal, McDonald's, Nestlé, Pepsico, Procter&Gamble, Renault, Sprite, Unilever and Volkswagen.

At the time of writing, Felipe's latest major work was as a composer and producer on the Brazilian rapper Emicida's latest album "O Glorioso Retorno de Quem Nunca Esteve Aqui", which was awarded Album of the Year by several music critics.

Said Felipe: "Working with advertising music since early 90s I've honed my skills in a variety of genres. And writing production music has become a "playground" in which I can experiment, have fun and challenge myself in telling a different story each time."