An expressive and very cinematic theme led by a chinese flute and gamelan, resulting in a strong asian/chinese/japanese cinema sound. Very heroic and emotive. Think The Last Samurai.
|Track ID number:||14102|
|Genres:||Film & Soundtrack: Sad, Sorrowful, Wistful, Regretful underscores -- Film & Soundtrack: Amazement, Wonderment, Enchanted, Fantasy underscores -- World: Far East (Japan / China / Oriental )|
|Moods/Emotions:||Melancholic / Nostalgic / Wistful -- Amazement / Wonderment / Awe -- Floating / Ethereal / Dreamy -- Passionate / Emotional / Melodramatic -- Reflective / Thoughtful / Introspective|
|Suggested Production Types:||Drama / Personal stories -- Historical: Older History / Ancient|
|Prominent Instruments:||Ethnic percussion / Tribal drums -- Ethnic / World / Indigenous instruments -- Flute / Pan Flute -- String Section|
|Tempo Beats Per Minute:||70|
|Composer:||Edward Blakeley (PRS - CAE#: 629373034)|
|Publisher:||Lynne Publishing (PRS - CAE#: 541626758)|
|PRO / Non-PRO Track?||PRO (What's this?)|
|WAV file bit depth:||HD / 24-Bit and CD-quality / 16-bit (What's this?)|
|CD-collection containing this track:||(None)|
Born in 1989 in the small town of Hastings in Sussex UK, Leeds University graduate composer and producer Edward Blakeley’s list of achievements reads like a music veteran’s twice his age.
By the age of 18, having already established a foothold in the local music scene, the self-taught multi-instrumentalist, composer, orchestrator, performer and producer founded Sonic Avenue Studios, renting a small commercial unit in nearby Bexhill-on-sea. Gaining experience as not only a studio engineer but also a manager, financier, and businessman the entrepreneur went on to work with Brit Award winning Blair MacKichan (Will Young, Olly Murs, Lily Allan) in both live and studio capacities, and multi-award winning, BAFTA/IVOR NOVELLO nominated composer Richard Jacques (James Bond: Bloodstone, Mass Effect, Little Big Planet 2) working as an assistant and aide, quickly becoming an apprentice composer.
With airtime on BBC Radio 2 at the age of just 20, the young prodigy’s career looks firmly positive ahead, and his compositional and orchestrative techniques have won him composition and sound design roles for feature-length films and multiple animations and video games.