A jazzy, upbeat and positive underscore in the style of a 30's or 40's 'how to' film. A fun and catchy clarinet melody is complemented with solos on the piano, trombone and trumpet.
|Track ID number:||13064|
|Genres:||Jazz: Old-time jazz, Retro jazz -- Film & Soundtrack: Happy, Playful, Lighthearted, Whimsical cinematic music -- Specialty, Novelty, Sound-Alike|
|Moods/Emotions:||Happy / Joyful / Positive -- Funny / Playful / Whimsical / Comical -- Classy / Elegant / Exclusive|
|Suggested Production Types:||Historical / Retro: 1950's -- Historical / Retro: 1920-1940's -- TV Commercial - Quirky / Fun|
|Prominent Instruments:||Bass (Upright/Acoustic) -- Brass section / Horns -- Drums (Drum Kit) -- Guitar (Electric) -- Piano (Acoustic) -- Trumpet|
|Tempo Beats Per Minute:||169|
|Composer:||Edward Blakeley (PRS - CAE#: 629373034)|
|Publisher:||Lynne Publishing (PRS - CAE#: 541626758)|
|PRO / Non-PRO Track?||PRO (What's this?)|
|WAV file bit depth:||HD / 24-Bit and CD-quality / 16-bit (What's this?)|
|CD-collection containing this track:||(None)|
Born in 1989 in the small town of Hastings in Sussex UK, Leeds University graduate composer and producer Edward Blakeley’s list of achievements reads like a music veteran’s twice his age.
By the age of 18, having already established a foothold in the local music scene, the self-taught multi-instrumentalist, composer, orchestrator, performer and producer founded Sonic Avenue Studios, renting a small commercial unit in nearby Bexhill-on-sea. Gaining experience as not only a studio engineer but also a manager, financier, and businessman the entrepreneur went on to work with Brit Award winning Blair MacKichan (Will Young, Olly Murs, Lily Allan) in both live and studio capacities, and multi-award winning, BAFTA/IVOR NOVELLO nominated composer Richard Jacques (James Bond: Bloodstone, Mass Effect, Little Big Planet 2) working as an assistant and aide, quickly becoming an apprentice composer.
With airtime on BBC Radio 2 at the age of just 20, the young prodigy’s career looks firmly positive ahead, and his compositional and orchestrative techniques have won him composition and sound design roles for feature-length films and multiple animations and video games.