Stock Music track: Hyperdrive (L Pritchard)

High energy electro track with a club / dance / house / trance feel. Features lots of synth sounds and floor shaking downers to get the energy levels up. Full of get-up-and-go, this track is based around repeating bass and synthesizer motifs that evolve and grow over the duration of the track to reach a euphoric climax. It's energetic, driving and hard hitting, full of vitality, ideal for media that needs a lively soundtrack. There is also a hint of espionage making it equally suited to spy/secret agent themed productions. Available in a variety of lengths and loops to fit with your media projects. 120 BPM.

Shockwave-Sound.com T22467 17.95 9.95

Track details

Track ID number: 22467
Genres: Electronic music: Techno / Trance / Club / House / Dance -- Electronic music: Edgy / Breakbeat / Dubstep
Moods/Emotions: Strong / Confident / Tough -- Menacing / Dangerous / Threatening -- Mechanical / Robotic / Machine like
Suggested Production Types: Men / Motors / Guys stuff -- Sports & Active Lifestyle -- TV Commercial - Macho / Rough -- Urban Culture / Youth Subculture
Prominent Instruments: Drum machine / Electronic drums -- Synthesizers
Keywords / Hints: electro, electronic, driven, driving, active, lively, dynamic, energetic, energy, determined, high-octane, action, spy, thriller, trance, techno, club, high-energy, undercover, secret agent, synth, synthesiser, synthesizer, bass, dance, instrumental
Tempo feel: Medium
Tempo Beats Per Minute: 120
Artist: Beanstalk Audio
Composer: Mick Parks
Publisher: Beanstalk Audio
SRCO (Sound Recording Copyright Owner): Pritchard, Lee
PRO / Non-PRO Track? PRO (What's this?)
WAV file bit depth: HD / 24-Bit (What's this?)
Stem files available for this track: No
Album containing this track:  Dance Beat Vol. 17 Picture Music collection: Dance Beat Vol. 17
11 tracks
About the Artist
Beanstalk Audio Beanstalk Audio

Beanstalk Audio is a project started by Lee Prichard. His involvement in music started at the age of 11 when he started trombone lessons at secondary school. Throughout his teens and early twenties he played hundreds of shows with the Ashton-on-Mersey Showband and numerous other brass groups throughout the Manchester area, UK and abroad. Later in life he started a music licensing business and focussed mainly on audio production and licensing before making a return to composing in his forties. Technologies have changed but Lee’s passion for music is as strong as ever. Although, these days his method of expression is through plastic black and white keys rather than blowing a raspberry through a long piece of brass tubing ;)