Bach Notebooks for Anna Magdalena Bach Polonaise in G minor BWV Anh 123
Johann Sebastian Bach: Notebooks for Anna Magdalena Bach, Polonaise in G minor, BWV Anh.123. Performed live in studio, exclusively for Lynne Publishing, by concert pianist Želimir Panić. Note: Although this piece is commonly attributed to Johann Sebastian Bach, later research shows it was actually composed by Carl Philipp Emanuel Bach and as such, this also has the title: Carl Philipp Bach - 4 Pieces for Anna Magdalena Bach, H.1 - this being the second of the four, Movement 2. Polonaise in G minor.
|Track ID number:||21740|
|Genres:||Bach -- Soft: Piano Music, Solo Piano|
|Moods/Emotions:||Melancholic / Nostalgic / Wistful -- Laid back / Easy-going / Chilled -- Reflective / Thoughtful / Introspective|
|Suggested Production Types:||Documentary / Culture / Art -- Historical: Older History / Ancient -- Period Drama / Melodrama|
|Prominent Instruments:||Piano (Acoustic)|
|Tempo feel:||Slow -- Medium|
|Tempo Beats Per Minute:|
|Artist:||Bach, Carl Philipp Emanuel -- Bach, Johann Sebastian -- Shockwave-Sound Royalty Free|
|Composer:||Bach, Johann Sebastian|
|Publisher:||Lynne Publishing (Track not PRO registered)|
|PRO / Non-PRO Track?||Non PRO (What's this?)|
|WAV file bit depth:||HD / 24-Bit and CD-quality / 16-bit (What's this?)|
|CD-collection containing this track:|| Music collection: Classical Piano Favorites, Vol. 8: Notebook for Anna Magdalena Bach (Selected works) and Three Menuets |
Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, was a German Classical period musician and composer, the fifth child and second (surviving) son of Johann Sebastian Bach and Maria Barbara Bach. His second name was given in honor of his godfather Georg Philipp Telemann, a friend of Johann Sebastian Bach.
Johann Sebastian Bach
March 31, 1685 – July 28, 1750
Johann Sebastian Bach was a composer who transformed German classical music styles by weaving a blend of Italian and French forms and rhythms with German ones. In particular his pieces are marked by his expertise in counterpoint, as well as harmonic virtuosity.
His work as an organist is perhaps the best known. However, Bach was originally taught the violin and harpsichord by his father, himself a skilled musician. Bach also was graced with an exceptional singing voice, which led to a place at Michaelis monastery in Luneberg. His voice eventually changed, forcing Bach to switch to instrumentation, and eventually an organist.
The organ entranced him, and he skipped out on other responsibilities to practice. His skill grew, leading him from small German towns to become the concertmaster and organist at the ducal court in Weimar. This allowed him to composer more freely, as well as explore his deep love for teaching.
Bach switched to the court of Prince Leopold, composing some of his most important works during this period, such as the Brandenburg concerti. Later, Bach composed prolifically as the Musical Director in Leipzig at St. Thomas church until his death.
His body of work is seen as one the greatest contributions to classical music.
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