Where your_sound_file is the name of your WAV, MP3, or MIDI file.
The first line, the one that begins with EMBED, is the one that will
be read by most web browsers. So in most cases, your visitors' web browser
will see the EMBED line, react to it, and then ignore the NOEMBED line.
A few web browsers (very few now) do not support the EMBED command,
which is why the second line is added. The second line, beginning with
NOEMBED, is an optional extra that will kick in if the web site is read
by a browser that does not support the EMBED feature.
That means that even if you drop the second line out and only include
the first line, the music will still work for about 95% of your visitors.
Before you do this however, it's probably a good idea to change the
bit-rate of the mp3 file. Mp3 is a file format that lets you choose
your own balance between sound quality and file size. The smaller you
want to make your sound file, the lower you have to put the sound quality.
When you purchase an mp3 file from us, you get it in a bit-rate
of 192 kbps (kilo-bytes per second) bit-rate. This represents perfect
CD-quality audio, but the file is pretty big. And because the file is
big, there is a lot of data that has to be transferred over the internet
before your web site visitors will start to hear the music. And when
the music starts to play, it may break up, stutter, and start-stop,
simply because there is such a large amount of data that has to keep
transferring from your web site to your visitor's computer, and when
the data isn't flowing fast enough the sound will break up.
So -- before you put the music on your web site, it's a good idea to
lower this bit-rate to something like 32 kbps or maybe 56 kbps. That
will drastically reduce the size of the file, but it will also lower
the sound quality. At 56 kbps the sound quality will be similar to the
previews on our web site (we use 56 kbps mp3-encoding for all our previews),
and at 32 kbps sound quality will be lower, but still pretty acceptable.
We can help you with changing the bit-rate of the sound files for you.
We have advanced tools that allows us to do this fast -- it literally
only takes us a minute to change the bit-rate of multiple sound files,
and we are happy to do this for our customers, free of charge. Just
place your order as normal, and then ask us to change the bit-rate to
whatever you want (32 kbps is usually okay for web site use).
Should you wish to play around with the sound files yourself and change
the bit-rate of your mp3 files, you need a sound editing tool, such
as the free Audacity
or similar.
Option 2: Use Flash.
Another way to put music on your web site
is to use the Flash program from Macromedia.
This is what we use for the "previews" of our music here on
Shockwave-Sound. This procedure is more complicated, but it has it's
clear advantages.
In our previews here at Shockwave-Sound, you'll
notice that the music starts playing almost immediately. The reasons
are (1) Flash compresses the music, so that there is less data to transfer
from the server to the visitor's browser, and (2) The music can start
playing as soon as some of it has been loaded into the visitor's browser,
and the music will start to play from the beginning, whilst the rest
of the music is still loading.
The actual procedure of inserting sound and
music into a Flash presentation is very well documented in Flash's built-in
help documentation. There is a chapter there called "Working with
sound" and I recommend you read it.
One important aspect of working with music
in Flash is to know the difference between a sound "event"
and a sound "stream". To put it simply, an "event"
has to download the whole sound to the visitor's browser before any
sound is played. A "stream" only loads the beginning of the
sound, then it starts to play whilst the rest of it is still loading.
So for background music, "stream" is the best solution.
Another important aspect about using music
in Flash is to select the best compression level. While working with
your Flash, go to "File, Publish Settings" and check the "Audio
stream" setting. Here you can set the level of compression used
on the music. Harder compression means smaller file, shorter loading
time, but lower sound quality. Softer compression gives you higher sound
quality, but more data has to be streamed from your server to the visitor's
browser, so if the visitor has a slow connection, the sound may stutter
and break up - or take a long time before it starts to play. This is
a trade-off between sound quality and speed/reliability of the delivery.
Personally I recommend a setting of "MP3,
32 kbps, stereo". It may be tempting to go with a higher kbps ratio
and use mono to save space - but I recommend you use stereo. Mono is
perfectly okay for button sounds etc., but for music I definitely recommend
stereo, even if it means you have to go to a lower kbps ratio. Stereo
delivery of music is very important to the total impression to the human
ears and brain. Never deliver music in mono.
About the author: Bjorn
Lynne constantly finds himself inspired by new sounds and new
directions in music and sound design. He started composing music on his
Amiga computer around 1990 and from then on has gone on to produce more
than 20 music albums, worked for 10 years as an Audio Manager in a video
games development company, started his own business Lynne Publishing,
(which owns and runs Shockwave-Sound.com), scored music
for film and TV, and produced a large amount of Stock
Music and Sound Effects for the
Shockwave-Sound.com library. He lives with his wife and his daughter in
an idyllic seaside town in Norway.
Other articles you may find useful:
YouTube
and music use: How "fingerprinted music" is causing advertisements
on your YouTube video.
Would you like to contribute an article to Shockwave-Sound.com?
We will pay you $150.00, and we will include your bio, a link to your web site,
and if you wish, a quick plug of your product or service. Shockwave-Sound.com
is used by almost 4,000 unique visitors every day. Contact
us if you have an article idea/pitch for us that you feel is useful,
relevant and well written. First, though, you may want to read
this
blog post about article requirements.
Copyright notice:
This article and all other text on this web site is under Copyright to Shockwave-Sound.com.
This text may not be copied, re-printed, re-published, in print or electronically,
in whole or in part, without written permission from Shockwave-Sound.com.