A Kaleidoscope of color! A vibrant and exciting fantasy piece that starts with a subtle pulse, builds to an explosive climax, and subsides again through a magical journey. Orchestral with world/ethnic instruments, drums, and electric guitar. [Tempo: Medium / 61 BPM]
A very thematic cue underscoring contemplative sentiments and a sense of longing, motion, and time ticking by. Light orchestral with piano melody and subtle percussion rhythm. [Tempo: Very slow / 59 BPM]
A fun orchestral fantasy cue that starts with a mellow and mysterious intro leading to a magical montage of the Wicked Witch, Frankenstein Monster, and a Disney Princess, followed by a smaller and more child-like echo of the three themes. Goes from dark to light to dark to light... Great for Halloween or film cliches. [Tempo: Slow, Fast / 0 BPM]
A driving and emotional dramatic cue with a thematic interlude underscoring anything from a kidnapping search to an innocent fugitive on the run. Orchestral with rhythmic percussion, piano, strings, and brass. [Tempo: Slow, Medium / 90 BPM]
An intensely suspenseful mystery cue underscoring anything from a deceitful murder to a mass epidemic, with a riveting climax. Orchestral with piano, in the vein of James Newton Howard's scores for M. Night Shyamalan films (The Village, Signs, The Happening). [Tempo: Medium / 0 BPM]
A beautifully fresh and dreamy orchestral theme underscoring wonder, awe, and magical drama. Piano, strings, french horns, harp, oboe, clarinet. [Tempo: Medium / 80 BPM]
A "2001: A Space Odyssey" sound-alike (aka Also Spracht Zarathustra) of the famous Richard Strauss regal fanfare. Suitable for films, TV shows, events, and commercials that need the cliche or anything majestic and presentational. Full symphony orchestra with optional choir. [Tempo: Medium / 80 BPM]
A psychological and dramatic thriller cue with a very thematic and building ostinato, underscoring anything from breaking news to an emotional or suspenseful montage to a crime or paranormal investigation. In the vein of Mike Oldfield's "Tubular Bells" used in "The Exorcist." [Tempo: Medium, Fast / 135 BPM]
An intensely suspenseful mystery cue underscoring anything from a deceitful murder to a mass epidemic. Orchestral with piano, in the vein of James Newton Howard's scores for M. Night Shyamalan films (The Village, Signs, The Happening). [Tempo: Medium / 94 BPM]
An epic orchestral war cue with a constant build to a dramatic climax, underscoring anything from a medieval battleground to the uprising of the ultimate villain. Similar to "Mars" from "The Planets," and perfect for trailers and epic action films. [Tempo: Slow, Medium / 74 BPM]
A dramatic, emotionally uplifting and moving composition for string orchestra with a powerfully developed theme, underscoring anything from an epic farewell to an ultimate heartfelt redemption. [Tempo: Very slow / 110 BPM]
An intense action cue with driving percussion rhythms, orchestral energy, and big drums, underscoring anything from a fast car chase to a battle between man and machine. Very much in the vein of John Powell's "Bourne" movies and the scores of Hanz Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers"). [Tempo: Medium / 90 BPM]
A funky Sugar Plum Fairy remix with downbeat urban style hip-hop drums. Cool and fresh version of the classic Tchaikovsky piece. Trad./Arr: Jason Livesay [Tempo: Medium / 111 BPM]
A magical and sweeping orchestral cue with a flowing sense of inspiration and wonder underscoring anything from an inspiring journey across the sea to a quest for adventure beyond the stars. The slight middle-eastern flavor makes this perfect for period films and epic fantasy films. [Tempo: Medium / 103 BPM]
An intensely suspenseful mystery cue underscoring anything from a deceitful murder to a mass epidemic. Orchestral with piano, in the vein of James Newton Howard's scores for M. Night Shyamalan films (The Village, Signs, The Happening). [Tempo: Medium / 86 BPM]
A building and pounding action cue with driving percussion rhythms, orchestral energy, and big drums, underscoring anything from a heist getaway to a battle between man and machine. Very much in the vein of John Powell's "Bourne" movies and the scores of Hanz Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers"). [Tempo: Fast / 75 BPM]
A romantic and heartfelt piece underscoring the bond between two friends or the love between two lovers. The first half has much more motion, and the second half is more sentimental. Nostalgic piano, harp, strings, and clarinet. [Tempo: Slow, Medium / 0 BPM]
An pulsing suspenseful mystery cue underscoring anything from a rescue search to a shocking discovery. Orchestral with piano, in the vein of James Newton Howard's scores for M. Night Shyamalan films (The Village, Signs, The Happening). [Tempo: Medium / 90 BPM]
An intense epic action cue with driving percussion rhythms, orchestral energy, and big drums, underscoring anything from a fast car chase to a battle between man and machine. Very much in the vein of John Powell's "Bourne" movies and the scores of Hanz Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers"). [Tempo: Slow, Fast / 122 BPM]
An intensely suspenseful mystery cue underscoring anything from a deceitful murder to a sudden kidnapping. Orchestral with piano, with electric bass and percussion, in the vein of James Newton Howard's scores for M. Night Shyamalan films (The Village, Signs, The Happening). [Tempo: Medium, Fast / 0 BPM]
An intensely suspenseful mystery/horror cue underscoring anything from a deceitful murder to a ruthless intruder. Orchestral with eerie piano and creepy ambient fx, in the vein of James Newton Howard's scores for M. Night Shyamalan films (The Village, Signs, The Happening). [Tempo: Very slow, Slow / 0 BPM]
A gently inspiring and uplifting dramatic cue, underscoring scenes of heart felt hope and sentiments. Light piano and rhythm with ambient textures. [Tempo: Medium / 110 BPM]
A highly intense and gripping suite of action and suspense scoring, underlying anything from the plot of a spy to the chase of an escaped convict. Orchestral in nature with big drums and driving percussion rhythms, in the vein of John Powell's "Bourne" movies and the scores of Hanz Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers"). [Tempo: Medium, Fast / 93 BPM]
A very melancholic and contemplative drama cue, lead by an upright bass jazz solo, embellished with sparse piano. This piece identifies with a lonely character who might be reminiscing or soul searching. [Tempo: Very slow, Slow / 0 BPM]
