A very melancholic and contemplative drama cue, lead by an upright bass jazz solo, embellished with sparse piano. This piece identifies with a lonely character who might be reminiscing or soul searching. [Tempo: Very slow, Slow / 0 BPM]
A highly intense and gripping suite of action and suspense scoring, underlying anything from the plot of a spy to the chase of an escaped convict. Orchestral in nature with big drums and driving percussion rhythms, in the vein of John Powell's "Bourne" movies and the scores of Hanz Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers"). [Tempo: Medium, Fast / 93 BPM]
Tense, horrific survival music, blending hard percussion with orchestral elements. Changes between pensive, nervous parts and more action filled parts for chase, action scenes. Nervous, slightly chaotic, disoriented. [Tempo: Medium / 95 BPM]
A magical and sweeping orchestral cue with a flowing sense of inspiration and wonder underscoring anything from an inspiring journey across the sea to a quest for adventure beyond the stars. The slight middle-eastern flavor makes this perfect for period films and epic fantasy films. [Tempo: Medium / 103 BPM]
An epic orchestral war cue with a constant build to a dramatic climax, underscoring anything from a medieval battleground to the uprising of the ultimate villain. Similar to "Mars" from "The Planets," and perfect for trailers and epic action films. [Tempo: Slow, Medium / 74 BPM]
A psychological and dramatic thriller cue with a very thematic and building ostinato, underscoring anything from breaking news to an emotional or suspenseful montage to a crime or paranormal investigation. In the vein of Mike Oldfield's "Tubular Bells" used in "The Exorcist." [Tempo: Medium, Fast / 135 BPM]
A heart-warming and hopeful theme with guitar, piano, bass, drums, and strings. Perfect for PSAs and commercials. [Tempo: Medium / 120 BPM]
A "2001: A Space Odyssey" sound-alike (aka Also Spracht Zarathustra) of the famous Richard Strauss regal fanfare. Suitable for films, TV shows, events, and commercials that need the cliche or anything majestic and presentational. Full symphony orchestra with optional choir. [Tempo: Medium / 80 BPM]
A fun orchestral fantasy cue that starts with a mellow and mysterious intro leading to a magical montage of the Wicked Witch, Frankenstein Monster, and a Disney Princess, followed by a smaller and more child-like echo of the three themes. Goes from dark to light to dark to light... Great for Halloween or film cliches. [Tempo: Slow, Fast / 0 BPM]
An intensely suspenseful mystery cue underscoring anything from a deceitful murder to a mass epidemic, with a riveting climax. Orchestral with piano, in the vein of James Newton Howard's scores for M. Night Shyamalan films (The Village, Signs, The Happening). [Tempo: Medium / 0 BPM]
An intensely suspenseful mystery cue underscoring anything from a deceitful murder to a sudden kidnapping. Orchestral with piano, with electric bass and percussion, in the vein of James Newton Howard's scores for M. Night Shyamalan films (The Village, Signs, The Happening). [Tempo: Medium, Fast / 0 BPM]
An pulsing suspenseful mystery cue underscoring anything from a rescue search to a shocking discovery. Orchestral with piano, in the vein of James Newton Howard's scores for M. Night Shyamalan films (The Village, Signs, The Happening). [Tempo: Medium / 90 BPM]
An intensely suspenseful mystery cue underscoring anything from a deceitful murder to a mass epidemic. Orchestral with piano, in the vein of James Newton Howard's scores for M. Night Shyamalan films (The Village, Signs, The Happening). [Tempo: Medium / 86 BPM]
A very thematic cue underscoring contemplative sentiments and a sense of longing, motion, and time ticking by. Light orchestral with piano melody and subtle percussion rhythm. [Tempo: Very slow / 59 BPM]
A very dreamy and lovely romantic piece with piano and ambient instruments underscoring anything from love making to a bittersweet homecoming. [Tempo: Slow / 0 BPM]
A beautifully fresh and dreamy orchestral theme underscoring wonder, awe, and magical drama. Piano, strings, french horns, harp, oboe, clarinet. [Tempo: Medium / 80 BPM]
A funky Sugar Plum Fairy remix with downbeat urban style hip-hop drums. Cool and fresh version of the classic Tchaikovsky piece. Trad./Arr: Jason Livesay [Tempo: Medium / 111 BPM]
A building and pounding action cue with driving percussion rhythms, orchestral energy, and big drums, underscoring anything from a heist getaway to a battle between man and machine. Very much in the vein of John Powell's "Bourne" movies and the scores of Hanz Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers"). [Tempo: Fast / 75 BPM]
An intense action cue with driving percussion rhythms, orchestral energy, and big drums, underscoring anything from a fast car chase to a battle between man and machine. Very much in the vein of John Powell's "Bourne" movies and the scores of Hanz Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers"). [Tempo: Medium / 90 BPM]
A driving and emotional dramatic cue with a thematic interlude underscoring anything from a kidnapping search to an innocent fugitive on the run. Orchestral with rhythmic percussion, piano, strings, and brass. [Tempo: Slow, Medium / 90 BPM]
An intense epic action cue with driving percussion rhythms, orchestral energy, and big drums, underscoring anything from a fast car chase to a battle between man and machine. Very much in the vein of John Powell's "Bourne" movies and the scores of Hanz Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers"). [Tempo: Slow, Fast / 122 BPM]
A dramatic, emotionally uplifting and moving composition for string orchestra with a powerfully developed theme, underscoring anything from an epic farewell to an ultimate heartfelt redemption. [Tempo: Very slow / 110 BPM]
A dreamy and ambient background piece with driving feel-good percussion and a hopeful sense of magic, building to an inspiring climax. Perfect for documentaries, corporate videos and commercials. [Tempo: Slow, Medium, Fast / 125 BPM]
A touching and heart-warming theme with a fun sense of child-like wonder and magic, underscoring anything from a child's dance to a romantic outing in the park. Piano, vibes, celeste, marimba, glockenspiel, chimes, flute, oboe, clarinet, harp, and strings. [Tempo: Medium, Fast / 142 BPM]
A joyful and magical symphonic fanfare, in the style of John Williams. Perfect for celebrations, films, corporate videos, and commercials. Orchestral, brass, winds, strings, percussion. [Tempo: Fast / 120 BPM]
An eerie and creepy figure of a ghost subtly sneaks by with a cold and evil presence in this electronic / ambient suspense cue. [Tempo: Slow, Medium / 96 BPM]
A pulsing and building mystery cue underscoring anything from an undercover mission to entering a new and suspicious world. Ambient FX, electric bass, strings, brass, rhythmic and mallet percussion. [Tempo: Very slow, Slow / 87 BPM]
A heavy metal theme great for transitions or introducing a new character or scene with edgy and hard rock energy. A very dark "bad boy" feel. [Tempo: Medium / 90 BPM]
An uplifting an inspiring piece with a delicate piano introduction which kicks in to a driving pop/rock montage. Perfect for underscoring personal stories of sports figures. [Tempo: Medium / 97 BPM]
A very romantic and lush theme underscoring love, sentimental passion, and yearning. Slow and mellow strings, flute, and harp in the style of Ennio Morricone. [Tempo: Slow / 65 BPM]
A very melancholy and contemplative dramatic cue with a hint of romance underscoring anything from the nostalgic memory of a lost loved one to a somber walk in the park. Piano, strings, and bass. [Tempo: Very slow / 0 BPM]
Two different, short versions of the famous March from The Nutcracker Suite by Tchaikovsky. One has a traditional orchestral sound, the other is a 'hip remix'. Great for things like a Christmas theme on a web site etc. Trad./Arr: Jason Livesay [Tempo: Fast / 132 BPM]
An intense action cue with driving percussion rhythms, orchestral energy, and big drums, underscoring anything from a fast car chase to a battle between man and machine. Very much in the vein of John Powell's "Bourne" movies and the scores of Hanz Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers"). [Tempo: Fast / 130 BPM]
An intense and fun action cue with driving percussion rhythms, orchestral energy, and big drums, underscoring anything from a major heist to a victorious getaway. Very much in the vein of John Powell's "Bourne" and "Italian Job" scores and the scores of Hanz Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers"). [Tempo: Medium / 80 BPM]
An intense epic action cue with driving percussion rhythms, orchestral energy, and big drums, underscoring anything from a fast car chase to a battle between man and machine. Very much in the vein of John Powell's "Bourne" movies and the scores of Hanz Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers"). [Tempo: Medium / 75 BPM]
A driving and emotional dramatic cue with a thematic interlude underscoring anything from a kidnapping search to an innocent fugitive on the run. Orchestral with rhythmic percussion, piano, strings, and brass. [Tempo: Medium / 80 BPM]
An intense action cue with driving percussion rhythms, orchestral energy, and big drums, underscoring anything from a fast car chase to a battle between man and machine. Very much in the vein of John Powell's "Bourne" movies and the scores of Hanz Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers"). [Tempo: Fast, Very fast / 142 BPM]
A fun and fast chase cue underscoring a more comedic getaway. This cue starts subtle and builds to a climax, then subsides again. Guitars, bongo percussion, piano, strings, and acoustic bass. [Tempo: Fast / 138 BPM]
A gently inspiring and uplifting dramatic cue, underscoring scenes of heart felt hope and sentiments. Light piano and rhythm with ambient textures. [Tempo: Medium / 110 BPM]
Crime or action drama theme. A staccato, pulsating bass provides a sense of nervous urgency, while piano, strings and percussion play variations over a dramatic, pensive theme. [Tempo: Medium / 140 BPM]
An epic romantic theme with full symphony orchestra and solo violin, underscoring anything from a King's secret love affair to a bittersweet farewell in ancient Rome. The authentic ancient feel makes this cue perfect for period and Bible films. [Tempo: Very slow / 0 BPM]
An intensely suspenseful mystery cue underscoring anything from a deceitful murder to a mass epidemic. Orchestral with piano, in the vein of James Newton Howard's scores for M. Night Shyamalan films (The Village, Signs, The Happening). [Tempo: Slow / 77 BPM]
A fun and feel-good rock theme great for transitions and introducing new scenes. Electric guitars, drums, and bass. [Tempo: Fast / 130 BPM]
A fun new take on the Auld Lang Syne. Trad./Arr. J Livesay [Tempo: Medium, Fast / 111 BPM]
A dramatic Hollywood action thriller style remix of the famous Christmas classic. (Trad./Arr: Jason Livesay) [Tempo: Fast / 146 BPM]
An intense action cue with driving percussion rhythms, orchestral energy, and big drums, underscoring anything from a fast car chase to a battle between man and machine. Very much in the vein of John Powell's "Bourne" movies and the scores of Hanz Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers"). [Tempo: Fast / 80 BPM]
An intense epic action cue with driving percussion rhythms, orchestral energy, and big drums, underscoring anything from a fast car chase to a battle between man and machine. Very much in the vein of John Powell's "Bourne" movies and the scores of Hanz Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers"). [Tempo: Medium / 75 BPM]
An intense epic action cue with driving percussion rhythms, orchestral energy, and big drums, underscoring anything from a reckless helicopter chase to a battle between man and machine. Very much in the vein of Danny Elfman's action scores and the scores of Hanz Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers"). [Tempo: Fast / 155 BPM]
An intense epic action cue with driving percussion rhythms, orchestral energy, and big drums, underscoring anything from a fast car chase to a battle between man and machine, with a riveting climax. Very much in the vein of John Powell's "Bourne" movies and the scores of Hanz Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers"). [Tempo: Fast / 155 BPM]
A short, fun and jazzy piece of music great for transitions or introducing a comedic scene or character with night life energy. Jazz guitar, acoustic bass, and drums. [Tempo: Fast / 156 BPM]